The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. ... See full summary »
George and Rose Loomis are honeymooning at a Niagara Falls motel. She plots with Ted Patrick to do him in, but all does not go smoothly. For one thing, after Loomis is reported missing Polly Cutler spies him at the motel but her husband Bud thinks she's imagining it. Marilyn sings "Kiss." Written by
Ed Stephan <email@example.com>
Even though she had a starring role, Marilyn Monroe was still under contract to 20th Century-Fox as a stock actor at a fixed salary, so she actually made less money than her make-up man did. See more »
Rose's dead body changes position between shots. See more »
[Upon seeing Rose Loomis in a low-cut, tight-fitting red dress]
Hey, get out the firehose!
Why don't you ever get a dress like that?
Listen. For a dress like that, you've got to start laying plans when you're about thirteen.
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Terrific movie that does not get the attention it deserves.
The look and atmosphere in this film is so vivid that even viewed on TV it makes you feel as if you have been to Niagara Falls sometime in the early 1950s. The plot takes a deceptively leisurely pace but it builds to a gripping climax. It is worth the viewer's time & effort to stick with it to the end. Marilyn Monroe is radiantly treacherous & her performance is subtle and bears close watching beyond her obvious attractiveness. She should get a lot more credit for this picture than I've seen others give her. Joseph Cotten balances between being menacing & getting our pity & sympathy. Not all the performances are terrific but this movie is a gem that rewards the effort to stick with it to the end.
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