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Niagara (1953)

Approved | | Crime, Film-Noir, Thriller | February 1953 (USA)
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As two couples are visiting Niagara Falls, tensions between one wife and her husband reach the level of murder.

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Cast

Complete credited cast:
...
...
...
...
Ray Cutler (as Casey Adams)
Denis O'Dea ...
Inspector Starkey
Richard Allan ...
Patrick
...
Mr. J.C. Kettering
...
Mrs. Kettering
...
Mr. Qua
...
Boatman
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Storyline

George and Rose Loomis are honeymooning at a Niagara Falls motel. She plots with Ted Patrick to do him in, but all does not go smoothly. For one thing, after Loomis is reported missing Polly Cutler spies him at the motel but her husband Bud thinks she's imagining it. Marilyn sings "Kiss." Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

Marilyn Monroe and Niagara the high water mark in suspense! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

February 1953 (USA)  »

Also Known As:

Torrente pasional  »

Box Office

Budget:

$1,250,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Even though she had a starring role, Marilyn Monroe was still under contract to 20th Century-Fox as a stock actor at a fixed salary, so she actually made less money than her make-up man did. See more »

Goofs

Polly is lifted off the rock by a large Sikorsky H-19. In the next scene we see a different helicopter, a tiny Bell H13 parked outside the hut where the next scene takes place. See more »

Quotes

[First line, voiceover as we watch him at the base of the Falls]
George Loomis: Why should the Falls drag me down here at 5 o'clock in the morning? To show me how big they are and how small I am? To remind me they can get along without any help? All right, so they've proved it. But why not? They've had ten thousand years to get independent. What's so wonderful about that? I suppose I could too, only it might take a little more time.
See more »

Connections

Referenced in Cairo Station (1958) See more »

Soundtracks

Kiss
(uncredited)
Music by Lionel Newman
Lyrics by Haven Gillespie
Played on the phonograph and sung in part by Marilyn Monroe
See more »

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User Reviews

Color, gleaming surfaces, dark interiors
12 February 2004 | by (Zurich, Switzerland) – See all my reviews

Niagara is one of those wonders who came out of the dream factory of the fifties and still manage to leave deep impressions in fresh viewers. Technically it is simply perfect: the story is like in a film noir, but Niagara is anything but «noir»! This is a true color movie with high artistic and aesthetic value. The best possible use was made of the location; it is an idealized place for honeymooners, with gleaming surfaces, gaudy colors and happy faces. The viewers see the postcard-image of the place – it's the era of President Eisenhower, renowned for its uplifting moral integrity, right? But behind the surfaces are dark rooms, depression, madness and scheming thoughts. Innocuous facades conceal quarrels, discontent and eventually murder. And in its midst roars the waterfall, at once beautiful and menacing. The message of the movie is conveyed largely through pictures, the location not the screenplay is the story.

The actors are part of the location. As far as I can remember there are hardly any close ups. Marilyn Monroe looks feverish and disturbed throughout, she elicits compassion rather than arousing sexual desires. Joseph Cotten is very good in the role of her confused and deranged husband. His mental condition seems to stem from war experiences (although in the movie this is treated as a kind of a side remark, its being mentioned is worth remembering, it happens seldom enough). To the disturbed couple are added a «normal» couple and an older, «seasoned» couple (very good, sensible performances by Lurene Tuttle and Don Wilson). The cast aptly represents the chances and pitfalls of life and human relations as behind them water flows down the river and falls over the edge.

Niagara shows a highly artistic approach to a specific place and uses symbols in the way of earlier black and white movies. I can highly recommend it to everyone. It is a pity that the potential of the technical means of this kind of widescreen color movies was not explored further in that direction, creating a direct link between the style of film noir and that of «film couleur». The wet asphalt in the early morning light is just unforgettable.


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