When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. ... See full summary »
George and Rose Loomis are honeymooning at a Niagara Falls motel. She plots with Ted Patrick to do him in, but all does not go smoothly. For one thing, after Loomis is reported missing Polly Cutler spies him at the motel but her husband Bud thinks she's imagining it. Marilyn sings "Kiss." Written by
Ed Stephan <email@example.com>
The Rainbow Cabins were not real cabins, they were movie sets built exclusively for the film at a cost of over $25,000. They were built in Queen Victoria Park directly across from the American Falls. The stone structure located by the Rainbow Cabins was torn down, but a similar one can be found in the same park at "Rambler's Rest." See more »
Polly is relaxing in a chaise lounge facing northeast when Ray comes out of the cabin casting a strong shadow pointing southwest. He stops by her feet and HER shadow falls on HIM. He then says the light is just right to photograph her and steps back a few feet -- calling our attention to the fact that he now has four shadows, the strongest ones pointing north and northeast. Seconds later, Rose enters the scene, casting onto Polly a metaphorically appropriate shadow... that points northwest. See more »
[Upon seeing Rose Loomis in a low-cut, tight-fitting red dress]
Hey, get out the firehose!
Why don't you ever get a dress like that?
Listen. For a dress like that, you've got to start laying plans when you're about thirteen.
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One of the best projects Marilyn was associated with. I didn't like Niagara the first time i saw it, because i thought Marilyn was only good for comedy. But this role as the sensual, unfaithful wife of Joseph Cotton's (superbly performed) troubled war veteran is one of her most memorable roles. Pleanty of indelible Marilyn images come from here: Marilyn lying seemingly naked with legs apart under bed in hotel room, purple dress standing against cabin in grammophone scene, and the entire grammophone scene. Pleanty of location shooting made good use of the beautiful location, and the motif of the song the lovers sing to each other is a beautiful touch. The suspense develops well, but i suppose it depends on what you're expecting. I found it a great sensual thriller, but this movie lives and dies with Monroe. She is captivating in every scene, and looks stunning. The belltower climax of the movie is very fine indeed, one of the best scenes she ever played in. Nods to director Hathaway for camera placement in this scene.
(Monroe has just done a sensual walk to the grammophone and had them put it on, then had a virtual standing orgasm listening to it, and spent an entire minute of close-up singing along to it, and the happy-go-lucky honeymooner character says to her)
Honeymooner: You seem to really like this song, Mrs Loomis."
Marilyn: "There isn't any other song," she says. But its all in her face - it always was. One of the best moments in her career.
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