Philip Sutherland is an American news writer stationed in Moscow since the war; while there he falls for a Russian ballet dancer, Marya Lamarkins, who, he finds out, learned English because...
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Philip Sutherland is an American news writer stationed in Moscow since the war; while there he falls for a Russian ballet dancer, Marya Lamarkins, who, he finds out, learned English because she fell in love with him. They marry, only to find that the Soviet nation which gladly collaborated with the Allies against Hitler has become a paranoid police state in peacetime. Sutherland is forced to leave without Marya, but he's determined to get her back, whether it be through proper channels, or through dangerously improper ones. Written by
Gary Dickerson <email@example.com>
An odd film but one that is surprisingly watchable and provides an interesting insight into the early stages of the Cold War. The film conveys the menace of the era and the grim, cold and hate filled place that the Soviet Union always was. Indeed from what we now know, one may even regard the film as being soft on the Communists, as the two Russian women in the film who take western husbands would quite likely have been taken off to labour camps (and 90% likely to have been killed therefore) by Stalin's secret police rather than just denied the chance to leave the country.
Some of the acting leaves a little to be desired and Clark Gable particularly seems like he is being forced into a part and a budget that was several sizes too small for him, but nevertheless a worthy and reasonably intelligent effort.
The Anglo-American angle in the film is one I always enjoy, it is always good to see the Brits and the Americans getting together!
15 of 19 people found this review helpful.
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