A Rebel vet, O'Meara has refused to surrender when Lee does at Appomattox. O'Meara travels west and after escaping from, he joins the Sioux and takes a wife. After denouncing himself as an ... See full summary »
A highly fictionalized account of the life of George Armstrong Custer from his arrival at West Point in 1857 to his death at the battle of the Little Big Horn in 1876. He has little ... See full summary »
Olivia de Havilland,
Geoffrey Thorpe, a buccaneer, is hired by Queen Elizabeth I to nag the Spanish Armada. The Armada is waiting for the attack on England and Thorpe surprises them with attacks on their galleons where he shows his skills on the sword.
Buckle on your swashes for this swashbuckling adventure with a highlander who fought for Bonnie Prince Charlie who, after various escapades, becomes a pirate. Written by
Steve Crook <firstname.lastname@example.org>
For the spectacular (but brief) scenes depicting the 1745 rebellion, this film used stock footage from the disastrously unsuccessful David Niven film, Bonnie Prince Charlie (1948), released only a few years earlier. Niven can actually be seen for a moment in one shot, albeit with his back to the camera. See more »
As Arnaud's ship approaches land the lookout shouts "Land on the starboard bow!" (ie to the right), yet he is pointing to the port side (ie left). A cut to the deck shows Capt Arnaud training his telescope to port instead of starboard. See more »
Where's the passage money?
Col. Francis Burke:
Now, faith, how can you speak of such a vulgar thing in the presence of a hero of Culloden, and a wounded one at that?
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There are some problems with this version of the Robert Louis Stevenson classic, not least of which is the changing of the ending and parts of the story to make it more appealing to the juvenile appetite. Psychological complexities are minimized here, so that what you're getting is an adventure yarn about greed and jealousy. It could have been a lot more.
Yet there are compensations. Jack Cardiff's photography is really eye-catching, and Mr. Livesey carves a nice bit of ham from his role. Flynn himself seems more interested in the proceedings than at any time since before the war. He is out of condition, and lacks physical vigor, but a clarity of eye indicates he may have had some inkling of what this could have been.
Made to utilize Warners Brothers frozen assets in England, the film is not Stevenson, but is but no means a bad way to pass part of a rainy afternoon.
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