In the Post-World War II, the British Susanne Mallison travels to Berlin to visit her older brother Martin Mallison, a military that has married the German Bettina Mallison. The naive ... See full summary »
A prominent neurosurgeon relates to his students in medical school a story about an affair he had with a married woman and how, after the affair was over, the woman one day fell out a ... See full summary »
A documentary account of the allied invasion of Europe during World War II compiled from the footage shot by nearly 1400 cameramen. It opens as the assembled allied forces plan and train ... See full summary »
Dwight D. Eisenhower,
A selection of passengers catch the plane from London for an early 1950's weekend in Paris. The Scotsman in his kilt, the elderly lady painter, the international negotiator, and the pretty ... See full summary »
A ruthless businessman tries to steal his brother's successful shipping company. He hires a gifted mimic to date one of his brother's daughters to get some inside information about the ... See full summary »
A Liverpool tug boat captain finds he's won a fortune on the penny pools and it changes his life. However, after giving up his job and throwing a large expensive party, he discovers that he... See full summary »
A plastic surgeon dispatches his assistant to bring in a young woman who is scheduled to have a procedure done. Unfortunately, the assistant brings in the wrong woman. When his fiancée sees... See full summary »
In the Post-World War II, the British Susanne Mallison travels to Berlin to visit her older brother Martin Mallison, a military that has married the German Bettina Mallison. The naive Susanne snoops on Bettina and suspects that she is hiding a secret from her brother. When Susanne meets Bettina with her friend Ivo Kern, he offers to show Berlin to her and they date. But Ivo meets the strange Halendar from the East Germany and Susanne takes a cab and return to her home alone. Then she dates Ivo again and he meets Olaf Kastner, who is a friend of Martin and Bettina. But soon Susanne, who has fallen in love with Ivo, learns that he was a former attorney married to Bettina but with a criminal past during the war. Now he is blackmailed by Halendar to kidnap Kastner and bring him back to the other side of the border. The plan fails and Halender asks his men to abduct Bettina to get Kastner. However, Susanne is kidnapped by mistake and is imprisoned in the basement of a house in East Berlin.... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
James Mason commenting on the film in 1974: "(on "The Man Between") This film became very big on television in the U.S. In the cinema one demands of a thriller that the narrative thread be ever taut. The American televiewer makes no such demands since continuity is destined to be shattered by commercial interruption. Thus it often happens that what has been hitherto regarded as a failure in the cinemas will be a hit on the Late Late Show and vice versa." See more »
In East Berlin, there are many political posters with the name "Walter Ulbrich," but the East German Communist leader's name was actually spelled "Ulbricht." See more »
The Germans always had to learn languages - the army never knew where it would be going next.
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In 1947,James Mason worked with Carol REED,in "Odd man out" (in Belfast).This work was influenced by Marcel Carné's "realisme poétique" and cast Mason as a fugitive.Both "odd man out" and "the man between " have similar endings,except for the female part.
Berlin atmosphere (like Vienna in 'the third man') is well rendering,with the claustrophobia you used to feel during the Wall days. There are plotholes,but the cast easily makes up for that.The couple Mason /Bloom is very endearing:Mason 's character is a man whose ideals have been betrayed and his love for the beautiful English woman he tries to save is touching .Actually ,at the beginning,Mason was not friendly,he was even disturbing,but his moral stature ceaselessly grows towards the end.The two stars get good support from German thespian Hildegarde Kneff,whom we miss in the second part.
This movie might have influenced two sixties work:"the spy who came in from the cold"(Martin Ritt,1965) which featured Claire Bloom again,and "torn curtain" (1966),one of Hitchcock's minor movies in which we find a theater again!FF Coppola in "godfather III" ,like Carol Reed,took advantage of this by using opera music to enhance particular scenes.
Although inferior to 'the third man" (neither Welles nor Karas) "odd man out' or even "fallen idol" (1948),"the man between " deserves to be seen.
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