After a professional art thief steals a religious painting from an Italian museum, he tries to cheat his partner by claiming the painting was accidentally destroyed but his suspicious partner and the police are determined to find it.
1947: Captain Jeff Eliott returns to Germany to thank the Lehrt family, who hid him during WW-II when his plane was shot down over Munich. However he learns that the parents died when their... See full summary »
Adapted from the book, "Mexican Village," by Josefina Niggli, the film tells three interwoven love stories against the background of a feud between two villages. Cyd Charisse and Rick Jason... See full summary »
Rip Reardon, ex-Army flier, returns to his home in French Morocco and finds his wife dead, and he suspects she has been murdered. Police Colonel Moussac insists she committed suicide. Rip ... See full summary »
At the turn of the century a soldier an a convent novice are being forced by their parent to marry each other. Both unaware what the other one looks like meet accidentally the night before ... See full summary »
A Greek artisan is commissioned to cast the cup of Christ in silver and sculpt around its rim the faces of the disciples and Jesus himself. He travels to Jerusalem and eventually to Rome to... See full summary »
A remake of his brother Marc's movie of the thirties which I have not seen,"Mam'Zelle Nitouche seemed to indicate that Yves Allégret,after making great movies in the 1947-1953 era,was a spent force .
Even Fernandel was not able to save this dud ;the script is awful:the first half is a spate of clichés about mistaken identities (the earnest organist of the convent writes light operettas);the second is even worse,recalling the coarse comedies of the thirties ,with the obligatory funny trick of a female presence in the barracks .
Louis De Funès appears (but you've got to be patient) as a sergeant .Pier Angeli ,the actress James Dean wanted to marry, is cast as the false ingénue.
It was the first time Y.Allégret had experimented color,at a time when the French cinema was mostly black and white :pearls before swine.
Word to the wise :take "Manèges" instead.
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