| Alec Guinness | ... | Flight Lt. Peter Ross | |
| Jack Hawkins | ... | Air CO Frank | |
| Anthony Steel | ... | Wing Cmdr Bartlett | |
| Muriel Pavlow | ... | Maria Gonzar | |
| Renée Asherson | ... | Joan Rivers (as Renee Asherson) | |
| Hugh Burden | ... | Eden, Security | |
| Nigel Stock | ... | Giuseppe Gonzar aka Ricardi | |
| Reginald Tate | ... | Vice Adm Payne | |
| Ralph Truman | ... | Vice Adm Willie Banks | |
| Flora Robson | ... | Melita Gonzar, Maria's Mum | |
| rest of cast listed alphabetically: | |||
| Ronald Adam | ... | British Officer (uncredited) | |
| Derek Aylward | ... | Minor Role (uncredited) | |
| Ivor Barnard | ... | Old Man (uncredited) | |
| Peter Bull | ... | Flying Officer (uncredited) | |
| Stuart Burge | ... | Paolo Gonzar, Maria's Brother (uncredited) | |
| Edward Chaffers | ... | Stripey (uncredited) | |
| Michael Craig | ... | British Officer (uncredited) | |
| Rosalie Crutchley | ... | Carmella Gonzar, Paolo's Wife (uncredited) | |
| Maurice Denham | ... | British Officer (uncredited) | |
| Jerry Desmonde | ... | General (uncredited) | |
| Thomas Heathcote | ... | Soldier (uncredited) | |
| Gordon Jackson | ... | British Soldier (uncredited) | |
| Geoffrey Keen | ... | British Soldier (uncredited) | |
| Dermot Kelly | ... | British soldier at airport (uncredited) | |
| Sam Kydd | ... | Soldier (uncredited) | |
| Richard Leven | ... | Soldier (uncredited) | |
| Colin Loudan | ... | O'Connor (uncredited) | |
| Victor Maddern | ... | Grouchy Soldier Clearing Rocks (uncredited) | |
| Michael Medwin | ... | Ramsey, CO 'Phantom' Squadron (uncredited) | |
| Lee Patterson | ... | Officer on Back of Truck (uncredited) | |
| William Russell | ... | Officer in Prison (uncredited) | |
| Marc Sheldon | ... | Minor Role (uncredited) | |
| Harold Siddons | ... | Matthews, Bomber Pilot (uncredited) | |
| Noel Willman | ... | Hobley, Navy Pilot (uncredited) | |
Directed by | |||
| Brian Desmond Hurst | |||
Writing credits | ||
| Thorold Dickinson | (idea) and | |
| Peter De Sarigny | (idea) (as Peter de Sarigny) | |
| William Fairchild | (screenplay) and | |
| Nigel Balchin | (screenplay) | |
| William Fairchild | (story) | |
| Hugh P. Lloyd | (author of "Briefed to Attack") (as Sir Hugh P. Lloyd K.C.B. K.B.E. M.C. D.F.C.) | |
Produced by | |||
| Peter De Sarigny | .... | producer | |
| Earl St. John | .... | executive producer | |
Original Music by | |||
| William Alwyn | |||
Cinematography by | |||
| Robert Krasker | (director of photography) | ||
Film Editing by | |||
| Michael Gordon | |||
Casting by | |||
| Weston Drury Jr. | (uncredited) | ||
Art Direction by | |||
| John Howell | |||
Makeup Department | |||
| W.T. Partleton | .... | makeup artist (as W.T.Partleton) | |
| Biddy Chrystal | .... | hair stylist (uncredited) | |
Production Management | |||
| Hugh Attwooll | .... | production manager (as H. R. R. Attwooll) | |
Second Unit Director or Assistant Director | |||
| Michael Gordon | .... | second unit director | |
| George Pollock | .... | assistant director | |
| Bert Batt | .... | third assistant director (uncredited) | |
| Maurice Gibson | .... | third assistant director (uncredited) | |
| Pat Marsden | .... | second assistant director (uncredited) | |
Art Department | |||
| John Box | .... | draughtsman (uncredited) | |
| Robert Cartwright | .... | draughtsman (uncredited) | |
| Bert Gaiters | .... | property master (uncredited) | |
| Dario Simoni | .... | set dresser (uncredited) | |
Sound Department | |||
| Gordon K. McCallum | .... | sound recordist (as Gordon K.McCullum) | |
| John W. Mitchell | .... | sound recordist | |
| Eric Wood | .... | sound editor | |
| Noreen Ackland | .... | assistant sound editor (uncredited) | |
| Bill Daniels | .... | dubbing crew (uncredited) | |
| Basil Fenton-Smith | .... | boom operator (uncredited) | |
| Fred Hughesdon | .... | sound maintenance (uncredited) | |
| George Willows | .... | sound camera operator (uncredited) | |
Special Effects by | |||
| Bill Warrington | .... | special effects | |
| Albert Whitlock | .... | special effects | |
Visual Effects by | |||
| Bert Marshall | .... | effects cameraman | |
Camera and Electrical Department | |||
| E. Steward | .... | second unit cameraman | |
| H.A.R. Thomson | .... | camera operator (as H. A. R. Thomson) | |
| Ian Jeayes | .... | still photographer (uncredited) | |
| John Morgan | .... | clapper loader (uncredited) | |
| Reginald H. Morris | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Dorothy Edwards | .... | wardrobe supervisor: women (uncredited) | |
| Bob Rayner | .... | wardrobe supervisor: men (uncredited) | |
Editorial Department | |||
| Derek Armstrong | .... | assistant editor (uncredited) | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
Other crew | |||
| Arthur Alcott | .... | production controller: Pinewood Studios | |
| Tilly Day | .... | continuity | |
| Teresa Bolland | .... | production secretary (uncredited) | |
| Ken Green | .... | publicity manager (uncredited) | |
Thanks | |||
| Hugh P. Lloyd | .... | the producers gratefully acknowledge the help of (as Sir Hugh P. Lloyd K.C.B. K.B.E. M.C. D.F.C.) | |
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| Battle of Britain | Gandhi | Australia | The Great Escape | The McKenzie Break |
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| Full cast and crew | Company credits | News articles |
| IMDb Drama section | IMDb UK section |
Having never had a chance to visit this island, nor been made aware of its importance to the allied forces during WW II, I appreciated the snatch of history of Malta and its inhabitants and of the incredibly impressive air shots of the RAF at work. Other commentators say much of this footage is archival; if so, then the editing is commendable, as is the transitional camera work, which is virtually seamless. In this day and age when so many battles and flight scenes are achieved by graphic simulation, I feel there is a sense of integrity in this film that cannot be easily duplicated today, regardless of all of the technology at our disposal. This is perhaps the quality of Ealing studios at work.
The black and white graininess of the film also gives it a documentary feel -- the strong light and shadow of the landscape shots of air, water and rocks that give us the vivid sense of place -- remind me also of Italian verismo cinema and reinforce that impression.
As for the acting, I did not feel it in the least "wooden." Actors who emote all over the place are not necessarily conveying true emotion: they are "acting." As with certain aspects of Italian cinema, more is conveyed in what is left out and held back than what is overtly revealed. I felt all of the performances, and especially Guinness's, and including his leading lady, were true to their character. The intelligence in his eyes and the slight, fleeting change of expression in his face, as he reacts, for example, to Hawkins' approval of his reconnaissance flights, is an example of the subtlety that would characterize all of Guinness's performances. Viewers who expect too much overt emotion are possibly allowing the actors on screen to experience it for them, rather than being drawn into the emotion and circumstance of the onscreen drama unfolding. Calling it a "stiff upper lip" may be one easy way to describe it, but one does have a sense in this film of people with some depth and substance, depicted with a visual honesty, who are caught in a life and death situation.
Of four stars, at least three *** without reservation.