In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »
In the late 1800's, Franz Ferdinand, heir to the Austro-Hungarian empire, falls for Sophie Chotek, a Czech countess. He's already a problem to the Crown because of his political ideas; this... See full summary »
Die verliebte Firma was Max Ophüls' first feature film. The story follows a movie crew who is filming a musical in a small and idyllic alpine village. After their temperamental leading lady... See full summary »
In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys the earrings again and gives them to his mistress, Lola, leaving to go to Constantinople. Where an Italian diplomat, Baron Donati, buys them. Back to Paris, Donati meets Louise... So now Louise discovers love and becomes much less frivolous. Written by
'Charles Boyer' often fought with 'Max Ophuls' about his character's motives. Ophuls one day during rehearsal broke down and said "Enough! His motives are he is written that way!" Boyer never asked him again and decided to play his character as being omnipotent in all his scenes. See more »
When the general gives the earrings to Lola on the train, she is crying and has her little bag on her lap. In the next cut, the bag is on the table. See more »
Comtesse Louise de...:
[praying for her lover who is about to go on a duel with her husband]
Save him, dear saint. You know that we were guilty in thought only. And what are thoughts? Will you save him, my dear saint? I thank you in advance. Blessed be your name in heaven as on earth. Amen.
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A woman's constant lying leads to first humorous, then tragic consequences.
Though not as dazzling as Ophuls' greatest works, 'La Ronde' & 'Le Plaisir', this more conventional romantic melodrama still has his magic fingerprints all over it & is a joy to behold. The acting of all three leads is simply immaculate (witness the scene in the railway carriage as a couple part - the hesitancy, expectancy, the kiss at last upon just the hand... just sublime).
Seldom, if ever, have I seen the affairs of the human heart portrayed so compassionately, & with so little judgement or blame. I am so glad to have finally discovered the films of Max Ophuls.
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