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The Earrings of Madame de... (1953)

Madame de... (original title)
Approved | | Drama, Romance | 19 July 1954 (USA)
In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »

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Writers:

(novel), (screenplay) | 3 more credits »
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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
...
Général André de...
...
Comtesse Louise de...
...
...
Monsieur Rémy
...
Monsieur de Bernac
Mireille Perrey ...
La Nourrice
Paul Azaïs ...
Le premier cocher
Josselin
Hubert Noël ...
Henri de Maleville
Lia Di Leo ...
Lola
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Storyline

In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys the earrings again and gives them to his mistress, Lola, leaving to go to Constantinople. Where an Italian diplomat, Baron Donati, buys them. Back to Paris, Donati meets Louise... So now Louise discovers love and becomes much less frivolous. Written by Yepok

Plot Summary | Plot Synopsis

Taglines:

It was her vanity that destroyed her.

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

19 July 1954 (USA)  »

Also Known As:

The Earrings of Madame de...  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Max Ophüls gave his leading lady the name Louise as a tribute to his friend and the book's author, Louise de Vilmorin. See more »

Goofs

When the general gives the earrings to Lola on the train, she is crying and has her little bag on her lap. In the next cut, the bag is on the table. See more »

Quotes

Général André de...: [Remy shows a pair of earrings] What's that?
Monsieur Rémy: I couldn't believe she'd sell them without your knowledge.
Général André de...: Sell them?
Monsieur Rémy: I thought that by buying them...
Général André de...: What are you saying, Monsieur Remy?
Monsieur Rémy: I thought I was doing both of you a favor.
Général André de...: I don't follow, Monsieur Remy. I sometimes do favors for others but I avoid letting others do them for me.
Monsieur Rémy: A good policy.
See more »

Connections

Featured in From the Journals of Jean Seberg (1995) See more »

Soundtracks

Einmal im Leben ...(L'amour m'emporte)
music: Oscar Straus
lyrics: Robert Gilbert & Armin Robinson
See more »

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User Reviews

Sublime, Graceful, Charming, Ruthless
6 July 2000 | by (New Haven, CT) – See all my reviews

It strains the imagination and saddens the heart to wonder at the existence of those people, long past, who would strive for such a sublime accomplishment.

"It's when we've the most to say that we're silent"

The dramatic situations develop so that we feel every word the characters leave unsaid. The situation speaks, and then the characters comment cleverly, explain themselves to their best advantage in that momentary sparkle that is "life"

The relationship of the director to his characters: they are allowed to be witty, to be beautiful, profound, and deeply human, yet in this humanity is their futility, a charming futility. As in the classics, The passions rule all humans. The characters are as puppets, not to the director, but to the passions.

The camera moves, yes, and you may have heard of Ophuls' flowing camera. It is not empty style, but dynamism, concision, and, more importantly, the flow of life that is his moving camera. It is the flowing movement of Ovid's Metamorphoses, the inexorable flow of life. The camera doesn't so much follow the actors, but that the flow of life is happening, and the characters are swimming in that stream of happening.

Why does he persistenly show the characters through a pain of glass? These are the boundaries of social propriety, the confines of their situation. Ophuls knew it best: life is a movie

Vladimir Nabokov wrote a short story entitled "La Veneziana"... Have I strayed from the subject? But, aren't all things sublime closely related?

I have learned, through persistent trial, that '98 is a fine year for Rhone. I suggest that you open a bottle, pour a glass, and push "Play" on "The Earrings Of Madame De..."

"unhappiness is an invented thing"

grace


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