In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »
This tale centers around the love between Baptiste, a theater mime, and Claire Reine, an actress and otherwise woman-about-town who calls herself Garance. Garance, in turn, is loved by ... See full summary »
In the late 1800's, Franz Ferdinand, heir to the Austro-Hungarian empire, falls for Sophie Chotek, a Czech countess. He's already a problem to the Crown because of his political ideas; this... See full summary »
In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys the earrings again and gives them to his mistress, Lola, leaving to go to Constantinople. Where an Italian diplomat, Baron Donati, buys them. Back to Paris, Donati meets Louise... So now Louise discovers love and becomes much less frivolous. Written by
Was originally released with a longer ending where you see the earrings being passed from a young Nun to a young woman marrying a General. This was meant to create a circular structure for the film with the young woman representing the next Madam DE. However 'Max Ophuls' felt it weakened the film when it was finished and personally cut it from the final prints. See more »
When the general gives the earrings to Lola on the train, she is crying and has her little bag on her lap. In the next cut, the bag is on the table. See more »
A woman's constant lying leads to first humorous, then tragic consequences.
Though not as dazzling as Ophuls' greatest works, 'La Ronde' & 'Le Plaisir', this more conventional romantic melodrama still has his magic fingerprints all over it & is a joy to behold. The acting of all three leads is simply immaculate (witness the scene in the railway carriage as a couple part - the hesitancy, expectancy, the kiss at last upon just the hand... just sublime).
Seldom, if ever, have I seen the affairs of the human heart portrayed so compassionately, & with so little judgement or blame. I am so glad to have finally discovered the films of Max Ophuls.
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