In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »
It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband ... See full summary »
Barbara Bel Geddes,
Die verliebte Firma was Max Ophüls' first feature film. The story follows a movie crew who is filming a musical in a small and idyllic alpine village. After their temperamental leading lady... See full summary »
Each evening, before saying their prayers, some children swallow their cod liver oil. One evening, the youngest child makes a daring request in his prayer. "Why must it always be children ... See full summary »
In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys the earrings again and gives them to his mistress, Lola, leaving to go to Constantinople. Where an Italian diplomat, Baron Donati, buys them. Back to Paris, Donati meets Louise... So now Louise discovers love and becomes much less frivolous. Written by
Vittorio De Sica was a huge fan of 'Max Ophuls' and wanted Jean Gabin's role in Le Plaisir (1952). Ophuls told him no, but that he would find him a dignifying role in another film. The Role of the Baron was written with him in mind for this film. See more »
When the general gives the earrings to Lola on the train, she is crying and has her little bag on her lap. In the next cut, the bag is on the table. See more »
Comtesse Louise de...:
[praying for her lover who is about to go on a duel with her husband]
Save him, dear saint. You know that we were guilty in thought only. And what are thoughts? Will you save him, my dear saint? I thank you in advance. Blessed be your name in heaven as on earth. Amen.
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What an elegant and atmospheric overlooked gem this was from Max Ophuls! Depicting in his usual florid and incredibly detailed style the lives and loves of various stereotypical characters from fin de siecle Paris, when the rich supposedly had taste and grace - before us poor diluted them.
Instead of watching people on the metaphorical merry-go-round of love as we did in La Ronde or a merry-go-round of stories as we did in Le Plaisir, this time we watch a souvenir of love, a pair of earrings on their travels back and forth between lovers and the same jeweller. The mature lovers were staid Charles Boyer, coquettish Dannielle Darrieux and romantic Vittorio De Sica engaged at first in playful flirtation but naturally turning into something far more serious: love. You are left at the end to extrapolate the outcome for yourselves, but I doubt they went on as Three! All 3 roles were played with beautiful restraint, De Sica especially, coming so soon after Umberto D's overwhelmingly serious message was ignored.
The roving camera-work paying loving attention to the period background sets was sublime, and as can only be found in Ophuls' best 6 films this is how he would have made the film in 1900! The perfectly timed choreography for the dancing scenes of course extended to nearly everything else, even to things as simple as opening and shutting mirrored wardrobes in Madame de 's gorgeously cluttered bedroom or people climbing up or down a rickety wooden spiral staircase at the jewellers. All in all, marvellous entertainment ravishing to the eyes, of a type you won't see anywhere outside of Ophuls. In fact, words have failed me.
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