In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »
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In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys the earrings again and gives them to his mistress, Lola, leaving to go to Constantinople. Where an Italian diplomat, Baron Donati, buys them. Back to Paris, Donati meets Louise... So now Louise discovers love and becomes much less frivolous. Written by
'Max Ophuls' would only direct the film if Danielle Darrieux agreed to star. The role was written with her specifically in mind. See more »
When the general gives the earrings to Lola on the train, she is crying and has her little bag on her lap. In the next cut, the bag is on the table. See more »
Comtesse Louise de...:
[praying for her lover who is about to go on a duel with her husband]
Save him, dear saint. You know that we were guilty in thought only. And what are thoughts? Will you save him, my dear saint? I thank you in advance. Blessed be your name in heaven as on earth. Amen.
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An elegant film of constrained passions, romantic lies, love and death.
The film is elegant, although it is a bit cold, without harming, however, its remarkable level. In fact, it perfectly counterbalances the expressed love of Baron Donati for Madame Louise, the unexpressed love of Madame Louise for the Baron, her pastiches and dangerous lies, the mystery that surrounds her, starting from the original title, "Madame De ", a mystery by which she likes to be surrounded. Also the love concealed under formal acts of a daily routine of the General towards Louise, his wife, is very important for the story as well as his jealousy, which is very refined, under the aspect of a "nonchalant" friendship for Baron Donati, up to the final cruelty. The lightness of music, the high rhythm of dances, the brilliant military and diplomatic uniforms, the precious toilets, all cooperates to construct a romantic but not too sweet atmosphere around passions, secrets, untrue confessions, disappointments, pains, death. Danielle Darrieux, Charles Boyer, Vittorio De Sica, in spite of their different extractions as actors, are softly melted in a plot tasting peach and lemon. Danielle Darrieux is faithful to certain roles performed by her, Charles Boyer appears to have forgotten his passionate roles as a lover and Vittorio De Sica is deprived of his humorous vein, but all of them deserve a standing ovation in my opinion.
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