A boy comes across a white-haired wild horse in the Camargue. Ranchers seek to capture the horse, but it escapes. What will happen as the boy sets out to find the horse again? The film is ... See full summary »
A small African village. The story focuses on Bila, a ten year old boy who befriends an old woman, Sana. Everybody calls her 'Witch' but Bila himself calls her 'Yaaba' (grandmother). When ... See full summary »
An intimate portrait of Kati, a teenage girl about to graduate high school, who endures a moment-by-moment emotional transformation over the course of three tumultuous days that leave her future in doubt.
A Scotsman, Jim MacKenzie, living on a primitive homestead in Nova Scotia, is raising his two grandsons, Harry and Davy, following the death of their father in the Boer War. His son's death... See full summary »
A vixen mother invades a chicken coop to provide food for her cubs. She continues to raid the coop until she is shot by a farmer. The cubs are attacked by the farmer and only one survives. ... See full summary »
Joey, a young boy, runs away to Coney Island after he is tricked into believing he has killed his older brother. Joey collects glass bottles and turns them into money, which he uses to ride the rides. Written by
Generally credited as one of the pioneers of independent cinema (as far as making your own film your own way and still getting seen in theaters), Morris Engel used his background as a New York City photographer to bring a fresh, down-to-earth feeling to filmmaking. Engel and his wife, photojournalist Ruth Orkin, wrote, directed, produced and edited their own low-budget films, shot by Engel using a hand-held 35mm camera of his own design.
The first of their three films, LITTLE FUGITIVE, is a beautiful, innocent film about a seven-year-old boy who is tricked by his older brother and runs away to Coney Island with six dollars. As the boy interacts with his new world on the boardwalk, Engel really transports the viewer there. The film feels like a documentary: sparse dialogue, realistic acting, hand-held cinematography and real locations. The FUGITIVE actors and atmosphere never come off fake: as the boy is hitting baseball in a batting cage, one hit ball flies towards the camera and you find yourself jumping out of the way!
The actor doesn't stop with this film "mistake", he's having fun and keeps going. All the childhood loves are there: bottles in the sand, hot dogs and cotton candy, ponies and parachute rides. With their films, Engel and Orkin created folklore, paving the way for directors like Truffaut, Godard, Cassavetes and Leigh.
FUGITIVE was successful for a non-studio film in the '50s, playing to over 5,000 theaters.
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