Alcoholic newspaperman Lew Marsh hits bottom, loses his job and is rehabilitated by Charley Dolan. After six years on the wagon he gets his job back and devotes himself to other recovering ... See full summary »
Jake MacIllaney will do just about anything to win the presidential election of longshoreman union Local 26. When he encounters young upright attorney Dan Cabot and Cabot's attractive wife,... See full summary »
In the Pacific during World War 2, the officers live a comfortable life with good food, good drink and good quarters. To them, war is a game which they know they will win and the common ... See full summary »
Colorful bayou peddler Hank Martin marries pretty teacher Verity, who finds that the rural poor all love Hank. Gradually, she realizes that Hank's popularity is the fruit of his expert manipulation of everyone he knows. She's further taken aback when she meets sexy swamp girl Flamingo, who considered Hank hers and is murderously jealous. Now Hank starts crusading against a crooked cotton buyer, and swiftly rises toward political power. Is there no stopping him? Written by
Rod Crawford <email@example.com>
The film was based on a 1945 novel which was a fictionalized account of assassinated Louisiana politician Huey Long by Adria Locke Langley. A film based on a similar roman a clef by Robert Penn Warren, "All the King's Men," won an Oscar as Best Picture in 1949. That b/w film shot on location with non-professional extras had a gritty realism that the studio-bound "A Lion Is in the Streets" did not have, and the later film suffered by comparison. See more »
Fifteen minutes in, when James Cagney and Barbara Hale are walking towards Mr. Castleberry's mansion, a very visible boom mic shadow can be seen moving in front of them, going from the top to the middle of the screen. See more »
Brighten up, sweet-face, brighten up, 'cause you married a winner, not a loser!
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This isn't the worst Cagney movie, but it is a good example of the problem with his acting. He was an amazing screen presence, demanding to be watched, a wonderfully versatile performer and an incredibly successful professional, but (and I know it's almost sacrilege to say this in the company of nostalgia-hungry Americans) he brought far too much of his dancing to his straight acting. The result is so often irritating, jerky physicality producing an uncomfortable caricature rather than a believable character. Hank Martin is one of many Cagney performances that needs the melodrama turning down a notch or two. This isn't the worst culprit; for that see "What Price Glory", "Blood on the Sun" or "The Fighting 69th".
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