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22 user 2 critic

Let's Do It Again (1953)

Approved | | Comedy, Musical | 17 July 1953 (USA)
In this 1953 musical remake of "The Awful Truth" Wyman is married to womanizing composer Milland and sets out to give him some of his own medicine. She has an affair, but her ploy backfires... See full summary »

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Cast

Complete credited cast:
...
Constance Stuart
...
Gary Stuart
...
Frank McGraw
...
Chet Stuart
...
Lilly Adair
...
Courtney Craig
...
Deborah Randolph
...
Nelly - the Maid
...
Ajax Moving Man (as Richard Wessel)
...
Mrs. Randolph
...
Mr. Randolph
Rest of cast listed alphabetically:
Douglas Evans ...
Black Cat Club Manager (scenes deleted)
William Newell ...
Cabbie (scenes deleted)
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Storyline

In this 1953 musical remake of "The Awful Truth" Wyman is married to womanizing composer Milland and sets out to give him some of his own medicine. She has an affair, but her ploy backfires, and the couple get a divorce. Once separated, they try every way to make each other jealous. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Wait till you see that "Go Girl" GO!

Genres:

Comedy | Musical

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

17 July 1953 (USA)  »

Also Known As:

A Meia-Noite do Amor  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Courtney asks Constance to take over a role in his show because Lucy Warriner couldn't do it. Lucy Warriner was the name of the Constance character in the original story and movie, The Awful Truth (1937) that Let's Do It Again (1953) is a musical remake of. See more »

Connections

Version of The Awful Truth (1937) See more »

Soundtracks

I'm Takin' a Slow Burn
Music by Lester Lee
Lyrics by Ned Washington
Sung by Jane Wyman
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User Reviews

 
Uninspired remake of "The Awful Truth" with awful music...
25 September 2012 | by (U.S.A.) – See all my reviews

Once I realized that Ray Milland was doing a poor imitation of Cary Grant's mugging in the original screwball comedy, "The Awful Truth," I knew why the film failed to sparkle as a comedy. Added to the comedy are some musical interludes that fall as flat as the dialog. The whole film leaves you feeling that it's a silly waste of time.

And in the central role of a woman determined to win her hubby back, Jane Wyman is dressed to kill but looks more like an uptight woman too prudish to display herself in such a lavish wardrobe. Only when she lets loose pretending to be Milland's hyperactive sister and demonstrates some of her flair for musical comedy does her performance come to life. Otherwise, you keep expecting those tears to flow.

The story may have worked in the '30s when screwball comedy was supreme and was handled with comic dexterity by a sparkling cast. But here it gets a flat reception from an uncomfortable looking Ray Milland, a miscast Wyman and an equally out-of-his-element Aldo Ray.

Summing up: A bad remake of a popular screwball comedy, it falls far short of the mark in every department--writing, acting, direction. Only Tom Helmore (the scheming husband of "Vertigo") manages to look and act as urbane and distinguished as the part demands with the proper comic flair.


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