Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Al Marsh, Tony Naylor and Jerry Ralby, Broadway producers, are desperately looking for backers. Al is one of the heirs of a dress salon in Paris, but this is almost bankrupt. The two other ... See full summary »
In Philadelphia, the soprano Prudence Budell returns from Europe after a period of five years training in the best Europeans music schools. Her millionaire grandmother Abigail Trent Budell ... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play. A fight on the opening night threatens the production, as well as two thugs who have the mistaken idea that Fred owes their boss money and insist on staying next to him all night. Written by
John Vogel <firstname.lastname@example.org>
Three songs from this show, "Wunderbar", "I'm Always True To You, Darlin' (In My Fashion)" and "So In Love (With You Am I)", were recorded by numerous artists in the late 1940s and were on the music hit charts for several months. See more »
At one point during the "Tom Dick and Harry" number, you can clearly see Bobby Van trip and right himself as if waiting for the director to yell "cut". This occurs almost halfway through the number, and to the right of the screen. See more »
This movie is quite the best musical of the 50's, with more plot and excellent sideplay and bits. Of these bits, my favorites are Howard Keel's rendition of "Where Is the Life that Late I Led", and Keenan Wynn and James Whitmore's clever presentation of "Brush Up Your Shakespeare". Either one could stand alone, but when added to the dancing of Ann Miller, Bob Fosse, Bobby Van and Carol Chaney, you have a real winner. Very clever and upbeat. Kathryn Grayson was never a favorite of mine, but she is acceptable as Lily, and her number "I Hate Men" is a real winner. You know, this movie has so many excellent songs that it is very hard to pick just a few. "Always True to You, Darling, in my Fashion", "Tom, Dick and Harry"--Cole Porter was at the top of his form for this movie.
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