Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
Al Marsh, Tony Naylor and Jerry Ralby, Broadway producers, are desperately looking for backers. Al is one of the heirs of a dress salon in Paris, but this is almost bankrupt. The two other ... See full summary »
Employees of the Sleeptite Pajama Factory are looking for a whopping seven-and-a-half cent an hour increase and they won't take no for an answer. Babe Williams is their feisty employee ... See full summary »
Grainbelt University has one attraction for Dobie Gillis - women, especially Pansy Hammer. Pansy's father, even though and maybe because she says she's in dreamville, does not share her ... See full summary »
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play. A fight on the opening night threatens the production, as well as two thugs who have the mistaken idea that Fred owes their boss money and insist on staying next to him all night. Written by
John Vogel <firstname.lastname@example.org>
In supplemental information on the DVD mention is made that Keenan Wynn and James Whitmore neglected to rehearse their "Brush Up Your Shakespeare" number more than once or twice because they thought it was silly. When it came time to shoot it they made numerous fumbles and mistakes which the director thought was on purpose. He later complemented them on making it look like something a couple of thugs would perform. They never told him the truth. See more »
At the time he wrote this musical, far from being a healthy man, Cole Porter (represented by Ron Randell in this movie) was a wheelchair-bound cripple who needed constant medical care. His legs had been crushed in a riding accident when the horse fell on him. See more »
What great stars! Keel and Grayson are excellent in this, with the lovely song So In Love, among many others. Tommy Rall is underused. He was in the same amount of numbers as the marvelous Ann Miller, but got minimum screen time, with the exception of Why Can't You Behave. Ann Miller was nothing short of awesome, with four numbers and ample attention in all of them. Too Darn Hot, Tom Dick or Harry, Why Can't You Behave, Always True To You In My Fashion, and From This Moment On (to a lesser degree) belong to her. A perfect movie for her fans. I urge you, run, don't walk to the nearest video store and pray that they have KISS ME KATE!
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