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Julius Caesar (1953)

 -  Drama | History  -  4 June 1953 (USA)
7.4
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Ratings: 7.4/10 from 6,469 users  
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The assassination of the would be ruler of Rome at the hands of Brutus and company has tragic consequences for the idealist and the republic.

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Title: Julius Caesar (1953)

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Won 1 Oscar. Another 7 wins & 6 nominations. See more awards »

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Cast

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Tom Powers ...
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Storyline

Brutus, Cassius, and other high-ranking Romans murder Caesar, because they believe his ambition will lead to tyranny. The people of Rome are on their side until Antony, Caesar's right-hand man, makes a moving speech. The conspirators are driven from Rome, and two armies are formed: one side following the conspirators; the other, Antony. Antony has the superior force, and surrounds Brutus and Cassius, but they kill themselves to avoid capture. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Plot Keywords:

speech | army | roman | assassination | murder | See more »

Genres:

Drama | History

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Release Date:

4 June 1953 (USA)  »

Also Known As:

William Shakespeare's Julius Caesar  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System) (original release)

Color:

| (tinted) (1969 UK re-release)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The one scene in the play involving Cinna the Poet, in which he is mistaken for Cinna the Conspirator and killed by the angry mob, was filmed but deleted before release. See more »

Goofs

When the soothsayer walks in the middle of the crowd to the right of the screen, we see from above when he is passing by Brutus. In the next shot he is walking towards the camera and Brutus, now behind him, grabs his arm to turn him. See more »

Quotes

[first lines]
Flavius: Hence! home, you idle creatures get you home:/ Is this a holiday? what! know you not,/ Being mechanical, you ought not walk/ Upon a labouring day without the sign/ Of your profession? Speak, what trade art thou?
See more »

Connections

Version of Julius Caesar (1949) See more »

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User Reviews

All-Star Cast in Faithful Adaptation...
15 September 2003 | by (Las Vegas, Nevada) – See all my reviews

1953's JULIUS CAESAR was a milestone in it's time, and still is, perhaps, the finest American production of a Shakespeare play ever recorded on film. Until Joseph L. Mankiewicz's production, only Laurence Olivier's British versions of HAMLET and HENRY V had truly displayed the power and poetry of the Bard's work. Hollywood seemed content to either truncate it in miscast all-star extravaganzas (A MIDSUMMER NIGHT'S DREAM, and ROMEO AND JULIET) or turn it into a weird kind of carnival sideshow (Orson Welles' MACBETH, performed with incomprehensible Scottish accents). Perhaps American film makers were afraid audiences would be put off by Shakespeare's text, with its archaic words, or felt that a British cast and the confines of a stage were 'required' to do a 'proper' rendition. For whatever reason, the British seemed to have a 'lock' on filmed versions of the Bard.

But Mankiewicz understood that Shakespeare was both universal and timeless, and in his capacity of director and (uncredited) screenwriter, he 'opened up' JULIUS CAESAR, eliminating the 'studio' feel of key scenes, and, with producer John Houseman, gathered together an impressive array of talent, with British actors John Gielgud as Cassius, James Mason as Brutus, Greer Garson as Calpurnia, and Deborah Kerr as Portia, and stage-trained American actors such as Oscar winner Edmond O'Brien in supporting roles.

Where the greatest gamble, and payoff, came was in the casting of Marlon Brando as Marc Antony. While Brando was already being hailed as the finest American actor of his generation, there were critics, prior to the film's release, who called his acceptance of the role an ego trip, and expected him to fall on his face. Were they ever WRONG! Brando gave the role a power, a physicality, and charisma that stunned critics and audiences alike. With a flawless British accent, he easily held his own with the veteran cast, and displayed a magnetism that is still enthralling, over 50 years later. His performance became the keystone of the film's success.

Not that JULIUS CAESAR is without faults; it is, occasionally, stagy and artificial, the pacing is a bit too slow and deliberate at times, and, as the title character, Louis Calhern is woefully miscast (he looks and sounds more like a jaded grandfather than the charismatic despot who both enthralled and frightened the Roman world). Still, the film is so strong and dynamic that subsequent versions (such as Charlton Heston's ambitious 1970 production) pale in comparison.

Hollywood finally got it 'right', and we can be grateful that a truly unforgettable presentation of JULIUS CAESAR is available for us, and future generations, to enjoy!


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