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The Juggler (1953)

Passed  -  Drama | War  -  5 May 1953 (USA)
6.3
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Ratings: 6.3/10 from 283 users  
Reviews: 12 user | 5 critic

Hans Muller is a Jewish refugee from Germany. Relocating to Israel after World War II, he can not overcome the psychological effects of the war. After attacking a policeman, Hans becomes a ... See full summary »

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Title: The Juggler (1953)

The Juggler (1953) on IMDb 6.3/10

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Cast

Complete credited cast:
...
Hans Muller
Milly Vitale ...
Ya'El
...
Detective Karni
Joseph Walsh ...
Yehoshua Bresler (as Joey Walsh)
Alf Kjellin ...
Daniel
...
Susy
...
Rosenberg
...
Emile Halevy
Richard Benedict ...
Police Officer Kogan
Oskar Karlweis ...
Willy Schmidt
Rest of cast listed alphabetically:
Ralph Moody ...
Mukhtar (scenes deleted)
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Storyline

Hans Muller is a Jewish refugee from Germany. Relocating to Israel after World War II, he can not overcome the psychological effects of the war. After attacking a policeman, Hans becomes a fugitive, traveling through Israel with a teenage boy. Written by Jeanne Armintrout <jeannee@uwyo.edu>

Plot Summary | Plot Synopsis

Genres:

Drama | War

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

5 May 1953 (USA)  »

Also Known As:

O Malabarista  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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User Reviews

 
a heroic film
28 May 2008 | by (United States) – See all my reviews

Considering that Hollywood never really tackled the Holocaust until Schindler's List and that it only set one other prominent film (Exodus) in Israel, this remarkable movie is amazing on many levels. Douglass shows once again that he was as versatile as any actor, not merely as a juggler and stage-comedian, but also as a rugged but tortured individual on the run from his pursuers. The setting in post war Israel is wonderful, the supporting players all fine, and some of the scenes sublime (the dance sequence at the kibbutz, the couple's tender embrace, the juggling show, etc.). It is one of the few American films that mentions the terrors of the Holocaust in any direct manner, and one of the few that portrays contemporary Israel realistically. Although, as noted by some critics, it has its flaws, including the lack of a German accent by Kirk, it is still an incredible production on so many levels that it deserves to be seen by a greater audience, which may happen, since it was just screened by TCM this afternoon, where I was luck enough to see it.


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