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Gate of Hell (1953)

Jigokumon (original title)
Approved | | Drama, History, Romance | 10 December 1954 (USA)
A samurai pursues a married lady-in-waiting.

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Won 1 Oscar. Another 6 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
Kazuo Hasegawa ...
Moritoo Endô
...
Kesa
Isao Yamagata ...
Wataru Watanabe
Yatarô Kurokawa ...
Shigemori
Kôtarô Bandô ...
Rokurô
Jun Tazaki ...
Kogenta
Koreya Senda ...
Gen Kiyomori
Masao Shimizu ...
Nobuyori
Tatsuya Ishiguro ...
Yachûta
Kenjirô Uemura ...
Masanaka
Gen Shimizu ...
Saburôsuke
Michiko Araki ...
Mano
Yoshie Minami ...
Tone
Kikue Môri ...
Sawa
Ryôsuke Kagawa ...
Yasutada
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Storyline

In 1160, in the Heian Period, Lord Kiyomori travels with his court to another feud and his Castle Sanjo is invaded by two other lords, in a coup. The loyal samurai Moritoh Enda asks the court lady Kesa to pose of the lord's sister to create a diversion while the lord's real sister and his father flee in the middle of the people. Then Moritoh travels to meet Lord Kiyomon and fights with him to defeat the enemies and the coup fails. Lord Kiyomon rewards the warriors that helped him and when he asks Moritoh what he wishes, he requests to marry Kesa. The lord grants his wish but soon he learns that Kesa is married with Wataru Watanabe, a samurai from the imperial guard. Moritoh harasses Kesa and threatens her, promising to kill her husband, her aunt and her if she does not marry him. Kesa's decision leads the trio to a tragic fate. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

The Most Honored Screen Import in a Decade! See more »

Genres:

Drama | History | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

10 December 1954 (USA)  »

Also Known As:

Gate of Hell  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Visa de contrôle cinématographique France : #15760(subtitled version) or #15760/D (dubbed version). See more »

Quotes

Moritoo Endô: Today is the first day of a life of sacrifice.
See more »

Crazy Credits

Janus Films' re-subtitled version, prepared for video releases, translates Kazuo Hasegawa's name as "Cazuo Hasegawa." See more »

Connections

Featured in The 79th Annual Academy Awards (2007) See more »

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User Reviews

A Good Film That Falls Short
25 June 2002 | by (Vancouver, B.C.) – See all my reviews

In Gate of Hell, a samurai is rewarded for his courage with anything he desires, but what he desires is the wife of another samurai.

Gate of Hell was one of the most popular Japanese imports of the 1954-55 American film season and winner of two Academy Awards and the Cannes Grand Prize. I first saw it as a teenager and was captivated by its gorgeous color and beautiful cinematography.

According to Jasper Sharp of Japan Cult Cinema, "Still today the film looks as stunning as ever, with its opening battle scenes partially shrouded behind billowing veils and banners, and the majestic flight of the troops from the burning imperial palace providing some of the most remarkable images, as well such memorable set pieces as a horse race and Moritoh's tense night time confrontation with Wataru and Kesa at the film's climax".

Appearing around the same time Akira Kurosawa's Rashomon (1950), Kimisaburo Yoshimura's The Tale of Genji (Genji Monogatari, 1952), and Kenji Mizoguchi's Ugetsu (Ugetsu Monogatari, 1953), Kinugasa's film is part of what is often termed The Golden Age of Japanese Cinema.

Adapted from a play by the twentieth century writer Kan Kikuchi, based on a story from the Heian period (794-1185) - the same era in which Rashomon and The Tale of Genji are set - Kinugasa's film opens in the midst of the spectacular battle of the Heiji War.

A revolt against the Emperor has been put down and Moritoh (Kasuo Hasegawa), a brave warrior is granted any wish he desires. Moritoh asks for the hand of Kesa (Machiko Kyo) but this request proves impossible to grant, since Lady Kesa is already married to Wataru (Isao Yamagata). Moritoh refuses to take no for an answer and becomes obsessed with obtaining Kesa as his wife, even if it means threatening the life of her husband to achieve his ends.

This film held my interest but I found the plot predictable and the acting exaggerated (Moritoh looks more ridiculous than frightening). According to Sharp, "Kinugasa himself was fully aware of his picture's dramatic weaknesses, and blamed intervention from his producer, an under-developed script, and a rushed working schedule due to a release date fixed in advance".

Perhaps this could have been a truly great film, but, to me, it is simply a very good film that falls short.


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