A baby alligator is flushed down a Chicago toilet and survives by eating discarded lab rats, injected with growth hormones. The small animal grows gigantic, escapes the city sewers, and goes on a rampage.
Michael V. Gazzo
Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. ... See full summary »
A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a... See full summary »
John Putnam is a writer and an amateur stargazer with a new home out in the beautiful Arizona desert, which he enjoys with Ellen Fields, his girlfriend and a local schoolteacher. John is not trusted by the people of the small town near where he lives, certainly not by Sheriff Matt Warren, who feels protective of Ellen, and perhaps something more. One night, John and Ellen see a meteor crash in the desert. John drags his friend, Pete, out of bed to take him over to the crash site in his helicopter. Once there, John climbs down into the crater. Unfortunately, he does so alone, as Pete and Ellen wait for him. John is the only one who sees the spaceship before a landslide covers it. And John is the only one who catches a glimpse of the hideous thing inside. At first John's story seems mad, until some of the townsfolk begin acting strange - as if they aren't really who they seem to be. Written by
The Universal make-up department submitted two alien designs for consideration by the studio executives. The design that was rejected was saved and then later used as the Mutant in Universal's This Island Earth. See more »
The top support of the incoming spacecraft is visible. See more »
This is Sand Rock, Arizona, of a late evening in early spring. It's a nice town, knowing its past and sure of its future, as it makes ready for the night, and the predictable morning. The desert blankets the earth, cooling, resting for the fight with tomorrow's sun. And in my house near the town, we're also sure of the future. So very sure.
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The credits are at the end rather than at the beginning. They include shots of the characters with the cast names, and the pictures would mean nothing if seen before the film. See more »
I caught this movie in 2D and b/w, on the AMC channel this Halloween weekend. Prior to now, I'd never seen nor heard of it.
Set in and around a small town in the Arizona desert, it tells the story of an amateur astronomer who was trying to get to the truth behind a large, fiery object that fell to earth in the desert. Was it a meteroid, as the Army had proclaimed after its investigation, or a crashed space ship? Though he caught a glimpse of the latter, the evidence was buried in a landslide in the crater before anyone else got there.
Ray Bradbury's believable story is the now-common question of how we deal with things we don't understand, or are "ugly".
I thought it played well, had decent special effects, etc., for a film made for 1950s audiences' sensibilities and movie-watching sophistication.
One scene included a shapely, flirty young woman who really had nothing to do with the story. It wasn't until I heard this was a 3D movie that her presence on screen made any sense.
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