Aliens crashland near a small desert town, strewing odd bluish-glowing rocks throughout the area. Townfolk notice something is amiss when temperatures begin to soar, water disappears, power... See full summary »
John Putnam is a writer and an amateur stargazer with a new home out in the beautiful Arizona desert, which he enjoys with Ellen Fields, his girlfriend and a local schoolteacher. John is not trusted by the people of the small town near where he lives, certainly not by Sheriff Matt Warren, who feels protective of Ellen, and perhaps something more. One night, John and Ellen see a meteor crash in the desert. John drags his friend, Pete, out of bed to take him over to the crash site in his helicopter. Once there, John climbs down into the crater. Unfortunately, he does so alone, as Pete and Ellen wait for him. John is the only one who sees the spaceship before a landslide covers it. And John is the only one who catches a glimpse of the hideous thing inside. At first John's story seems mad, until some of the townsfolk begin acting strange - as if they aren't really who they seem to be. Written by
According to a magazine article the "bubble" effect seen when the audience is seeing things from the alien's POV was achieved by actually blowing a specially formulated "tough" bubble around the camera lens. These shots were kept short since the bubbles only lasted a brief time. See more »
When the aliens assume the forms of all the people they've kidnapped, they're always wearing the same clothes their victims had been wearing when they were taken - with two exceptions: Putnam and Ellen. In their cases, the aliens raided their homes and stole clothes for their "duplicates". First: how did the aliens end up in the same clothes worn by the other people? Did all these people have two identical sets of clothing lying around their houses? Second: why steal different clothing for the Ellen and Putnam clones? Third: at least in the case of Ellen, why did they empty out her entire wardrobe instead of taking just one dress? Fourth: if, under a different but unstated hypothesis, the aliens only appeared to be dressed the same as the others - i.e., through morphing or some other illusion - then why would they need to steal anybody's clothes? See more »
This is Sand Rock, Arizona, of a late evening in early spring. It's a nice town, knowing its past and sure of its future, as it makes ready for the night, and the predictable morning. The desert blankets the earth, cooling, resting for the fight with tomorrow's sun. And in my house near the town, we're also sure of the future. So very sure.
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The credits are at the end rather than at the beginning. They include shots of the characters with the cast names, and the pictures would mean nothing if seen before the film. See more »
This is director Jack Arnold's first science-fiction effort and one of the earliest to use a desert setting. Richard Carlson is very believable as an astronomer who, along with his fiancee, witnesses a meteor crash-landing that turns out to be a spacecraft. No one in the small town believes him until they start disappearing. Arnold uses theremin music to great effect, the photography is eerie, dialog (by Ray Bradbury) poetic, and the alien a terrifying large crawling mass with one bulging eye that leaves a snail-like trail in its path. The aliens are not bent on destruction - an interesting precursor to Steven Spielberg's expensive "Close Encounters of the Third Kind" (1977)- even its main titles are at the End. This is low-key, intelligent, satisfying drama. Co-starring are Barbara Rush (she's a babe), Russell Johnson (likewise), Charles Drake, Joe Sawyer, Kathleen Hughes (who's tantalizing in a cameo).
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