A baby alligator is flushed down a Chicago toilet and survives by eating discarded lab rats, injected with growth hormones. The small animal grows gigantic, escapes the city sewers, and goes on a rampage.
Michael V. Gazzo
A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a... See full summary »
John Putnam is a writer and an amateur stargazer with a new home out in the beautiful Arizona desert, which he enjoys with Ellen Fields, his girlfriend and a local schoolteacher. John is not trusted by the people of the small town near where he lives, certainly not by Sheriff Matt Warren, who feels protective of Ellen, and perhaps something more. One night, John and Ellen see a meteor crash in the desert. John drags his friend, Pete, out of bed to take him over to the crash site in his helicopter. Once there, John climbs down into the crater. Unfortunately, he does so alone, as Pete and Ellen wait for him. John is the only one who sees the spaceship before a landslide covers it. And John is the only one who catches a glimpse of the hideous thing inside. At first John's story seems mad, until some of the townsfolk begin acting strange - as if they aren't really who they seem to be. Written by
This was one of the few American movies from the 1950s to place its credits at the end rather than at the beginning. See more »
Perry, wearing a space cadet suit and helmet, opens the hatch over his face. The point of view quickly switches to Ellen and the open door, as Perry walks through the doorway, but now the hatch over Perry's face is closed. See more »
This is Sand Rock, Arizona, of a late evening in early spring. It's a nice town, knowing its past and sure of its future, as it makes ready for the night, and the predictable morning. The desert blankets the earth, cooling, resting for the fight with tomorrow's sun. And in my house near the town, we're also sure of the future. So very sure.
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The credits are at the end rather than at the beginning. They include shots of the characters with the cast names, and the pictures would mean nothing if seen before the film. See more »
First of all let's get rid of that absurd notion that science fiction films of the fifties were merely a sub-conscious attempt to personify the threat from communism - this is a hackneyed idea, and far from the truth.
This is a thoughtfully crafted film, which like other good science fiction films of this era starts out portraying the aliens as monsters, only to reveal that they are benevolent and superior (how does this fit into the "Red Menace" theory?).
The screenplay was penned by Ray Bradbury and is full of very good dialog and ideas, especially the notion that we are not ready to meet such advanced civilizations. The scenes in the high desert are very atmospheric and creepy, and although the renderings of alien technology at first seem somewhat adolescent, there is a genuine sense of wonder when the internals of the alien ship are revealed. Something missing from today's, blase, computer generated, over the top, excesses.
The 3D is a useless appendage, and not worthy of discussion.
If you like science fiction pre-scifi channel and post-golden age, rent this movie and enjoy the atmosphere.
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