A baby alligator is flushed down a Chicago toilet and survives by eating discarded lab rats, injected with growth hormones. The small animal grows gigantic, escapes the city sewers, and goes on a rampage.
Michael V. Gazzo
John Putnam is a writer and an amateur stargazer with a new home out in the beautiful Arizona desert, which he enjoys with Ellen Fields, his girlfriend and a local schoolteacher. John is not trusted by the people of the small town near where he lives, certainly not by Sheriff Matt Warren, who feels protective of Ellen, and perhaps something more. One night, John and Ellen see a meteor crash in the desert. John drags his friend, Pete, out of bed to take him over to the crash site in his helicopter. Once there, John climbs down into the crater. Unfortunately, he does so alone, as Pete and Ellen wait for him. John is the only one who sees the spaceship before a landslide covers it. And John is the only one who catches a glimpse of the hideous thing inside. At first John's story seems mad, until some of the townsfolk begin acting strange - as if they aren't really who they seem to be. Written by
This was one of the few American movies from the 1950s to place its credits at the end rather than at the beginning. See more »
When the spaceship takes off, the ground supposedly shakes; but the only thing that really shakes is the camera. The people and the scenery remain perfectly still. See more »
This is Sand Rock, Arizona, of a late evening in early spring. It's a nice town, knowing its past and sure of its future, as it makes ready for the night, and the predictable morning. The desert blankets the earth, cooling, resting for the fight with tomorrow's sun. And in my house near the town, we're also sure of the future. So very sure.
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The credits are at the end rather than at the beginning. They include shots of the characters with the cast names, and the pictures would mean nothing if seen before the film. See more »
I always find it hard to judge films like this when I wasn't even relatively close to being born when this film first came out and how different films are of today compared to then. You can't really give it an objective review because we've been spoiled with superb, more-contemporary science fictions films. But nonetheless, I try to be as objective as possible and while I watch a film like this I try very hard to keep in mind when this film was made.
With all that said, I'll get on with the film review. I thought the story in this film was pretty interesting and well done. The story really does have some cool things in it, although it is a very simple plot.
The special effects are very light in this film, which shouldn't be that surprising, being made in the early 1950's. But, when they do use them, they're pretty good and somewhat impressive.
The acting in this film is nothing terribly great, but it certainly isn't bad either. The acting is pretty much what you'd expect from a 1950's sci-fi movie, lots of screaming, scared looks and what not. But all in all, there's nothing really to complain about.
I wouldn't recommend this film to everyone, but I would recommend it to anyone that truly loves the sci-fi genre (like myself) or just wants to compare this film to sci-fi films made today. I think it's good to see a film like this so that you can appreciate how far we've come with film making and special effects and all that great stuff. Anyhow, if you do see the film I hope you enjoy it for what it is. Thanks for reading,
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