A group of longtime friends converge on a fatal course with destiny when they cross paths with Alexander Tatum, a mercenary surgeon. He is a hunter with the keen skill of one who has also ... See full summary »
A psychologist is gradually broken down to the point of no return in his life; but was it his work or his past that sends him over the edge, to do the most unthinkable things. All of this happens to him in the middle of chaos breaking out during the London riots.
Hayley J Williams
One night, young David McLean sees a spaceship crash into a nearby sandpit. His father goes to investigate, but comes back changed. Where once he was cheerful and affectionate, he's now sullen and snarlingly rude. Others fall into the sandpit and begin acting like him: cold, ill-tempered and conspiratorial. David knows that aliens are taking over the bodies of humans, but he'll soon discover there have been far more of these terrible thefts than he could have imagined. The young doom-monger finds some serious help in a lady doctor and a brilliant astronomer. Soon they meet the aliens: green creatures with insect-like eyes. These beings prove to be slaves to their leader: a large, silent head with ceaselessly shifting eyes and two tentacles on either side, each of which branches off into three smaller tentacles. It's up to the redoubtable earth trio to stop its evil plans. Written by
The tune playing as shots of tanks and trucks of infantry leave to attack the invaders is the official song of the U.S. Army ("The Army Goes Rolling Along"). This is based on the song "U.S. Field Artillery March" (also known as "The Caisson Song") by Edmund L. Gruber and John Philip Sousa (1917). It was adopted by the U.S. Army as its official song in 1956. See more »
The same shot of a soldier manning a searchlight on a tower beside the side of a building is used in both the scene at the rocket base of the attempt to blow up the rocket, and (three times) in scenes in the field where the Martians landed: this latter use is particularly ridiculous because there is no such building as is seen behind the light tower in that location. See more »
The heavens. Once an object of superstition, awe, and fear. Now a vast region for growing knowledge. The distance of Venus, the atmosphere of Mars, the size of Jupiter, and the speed of Mercury. All this and more we know. But their greatest mystery the heavens have kept a secret. What sort of life, if any, inhabits these other planets? Human life, like ours? Or life extremely lower in the scale? Or dangerously higher? Seeking the answer to this timeless question, forever seeking, ...
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An eerie horror/sci-fi that works even better today: great set design (by the director William Cameron Menzies), script, haunting music, and unforgettable images: the hill-top "sinking sand" set, weird marks on victims' necks, the catacombed alien lair, the tall, green, bug-eyed Martians, the gold-like, tentacled, expressive "head"-intelligence in the globe, the LONG hypodermic needle, much more. Costumes work well too, note the change of the mother (Hillary Brooke) from loose-haired blonde sweetness, to a possessed rigid-hairstyled villainess in black. The doctor-heroine (Helena Carter) is a picture-book beauty of auburn-coiffured refinement and soft-spoken sympathy, clad in a cream-colored dress, with a bright red handkerchief to set it off and two-toned stilettos. Jimmy Hunt is all-American red-headed freckleness, unusual in that the story is told from his point-of-view, a fine performance. Good support from Morris Ankrum, Arthur Franz, and Leif Erickson. The dreamlike nature of the picture is only enhanced by the repeating footage, lots of stock military scenes, the wobbly aliens, etc. Basic plot was re-used for "It Came From Outer Space" (1953), "Invasion of the Body Snatchers" (1956), "It Conquered the World" (1956), many more. Skip the abysmal 1986 remake.
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