30 years after World War II, a team of ex-GIs and ex-German soldiers goes behind the Iron Curtain to retrieve hidden Nazi loot located in the Soviet occupied East Germany and only known to a Nazi war criminal who's locked up in a military prison.
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Department of State courier Mike Kells ends up in postwar hotbed Trieste after failing to collect a package from a colleague. The Military Police are happy for him to get more involved, but... See full summary »
20th Century-Fox put a lot of eggs in this 1953 film---3-D and stereophonic sound on prints for the few theatres equipped for that sound system in 1953, and the result was possibly the best 3-D film made during the craze. The basically-simple plot, in theory but more than that in execution, concerns a spoiled and alcoholic millionaire, Robert Ryan, who breaks his leg falling off of a horse, and is left to die in the desert by his cheating wife, Rhonda Fleming (born for Technicolor and 3-D), and her lover, William Lundigan. Written by
Les Adams <email@example.com>
Pretty inventive script, Robert Ryan helps pull off quite a bit of voice over dialog, nice photography, (I did see it in 3D) well paced there are a number of clever script/plot elements that keep it going and a great fight scene(which features most of the 3D Fx in the movie).
Sort of a desert Film Noir really, well directed by the mostly always good Roy (Ward) Baker this holds up. There is constant cross cutting between Ryan's plight in the desert and the two villains swimming or eating and drinking that really builds your hatred of them and your siding with Ryan.
No mamsey pamsey character softening here, which keeps it tough, but reality based, throughout. It's not a cartoon at any moment which can happen with B films. Though also perhaps the limited character development keeps it slightly in the programmer category. Good music score by Paul Sawtell as well. This movie moves quickly doesn't have the soapy elements, or bloated running time, that killed off many color crime films in the 1950's.
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