This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen ... See full summary »
Carol feels, for whatever reason, that her husband, John, has grown indifferent to her, and is on a quest to find out why, suspecting another woman. She sees the family physician, Dr. Swope... See full summary »
Ellen McNulty leaves her New Jersey hamburger stand and heads west to pay a surprise visit to her son and his new bride. When Ellen arrives, her daughter-in-law mistakes her for the maid ... See full summary »
Betty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.
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Hot-tempered Kathleen Maguire enlists the services of a young attorney to help her zookeeper father get his job back after he is fired for political reasons. In the midst of uncovering ... See full summary »
Blondell and O'Brien star as newspaper reporters who inadvertently send Jordan to reform school after they write an expose of the illegal slot-machine racket the boy was a spotter for. ... See full summary »
When Prohibition ends, the mobsters move into the "protection" racket. Those who do not pay are knocked off. Small town reporter Ruth wants a job at the big city paper, but the editor will ... See full summary »
This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him.He tells them to look up Eddie McCoy, Eva's one-time partner, for the real inside story on the lusty and vital Eva. Eddie's version is that he discovered her working as a waitress in an Indianapolis restaurant in 1912, wherein singer Larry Woods and his partner Charles Bennett get into a fight over her and both land in the hospital, and McCoy convinces the manager to put Eva on as a single to fill their spot. She flopped, but McCoy arranges for Bennett to be her accompanist, and she went out of his life. The writers look up Bennett, now head of a music publishing company, who says McCoy's story is phony, and it was Flo Zigfeld who discovered Eva for his Follies. Then Jessel's staff comes up with a letter from... Written by
Les Adams <email@example.com>
What could have been a very good musical ends up being bunch of mixed up scenes that make no sense whatsoever. Fox had a good idea with the material, but somehow botched it up. A good vehicle for poor Mitzi Gaynor, and she must have very dismayed with what ended up on the screen.
Fox Archives has released this recently along with other older films. Too bad they couldn't include the missing footage as it's very obvious scenes and details to the plot were left out on the 'cutting room floor', so to speak. The musical numbers, for the most part, are very good to excellent, even though they do not belong in the time element of the story. One very strange number, the second I DON'T CARE sequence, has Mizi changing costumes RIGHT IN THE MIDDLE OF THE ACT, and a character that was long gone, back in the scene. I'm sure this number was supposed to be a 'dream sequence', that would be the only reasonable explanation!!!! What did Mr. Zanack have in mind when he edited this film??? I know he was responsible for all editing of films under his regime. He also ruined the fabulous MM movie, NIAGARA along with sever cuts to THERE'S NO BUSINESS LIKE SHOW BUSINESS. And he was supposed to be a 'movie' person? I think not.
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