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I Confess
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I Confess (1953) More at IMDbPro »

Photos (See all 11 | slideshow) Videos (see all 2)
I Confess -- Master filmmaker Alfred Hitchcock directs screen legend Montgomery Clift in this story where a priest hears a murderer's confession and implicates himself in the crime.
I Confess -- Refusing to give into police investigators' questions of suspicion, due to the seal of confession, a priest becomes the prime suspect in a murder.


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7.3/10   13,488 votes »
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Down 15% in popularity this week. See why on IMDbPro.
George Tabori (screen play) and
William Archibald (screen play) ...
View company contact information for I Confess on IMDbPro.
Release Date:
22 March 1953 (USA) See more »
FILMED IN CANADA'S COLORFUL QUEBEC BY WARNER BROS. (original print ad - all caps) See more »
Refusing to give into police investigators' questions of suspicion, due to the seal of confession, a priest becomes the prime suspect in a murder. Full summary » | Add synopsis »
Plot Keywords:
1 nomination See more »
User Reviews:
Average For Hitchcock, Good By Any Other Standard See more (100 total) »


  (in credits order) (verified as complete)

Montgomery Clift ... Father Michael Logan

Anne Baxter ... Ruth Grandfort

Karl Malden ... Inspector Larrue

Brian Aherne ... Willy Robertson
O.E. Hasse ... Otto Keller (as O. E. Hasse)
Roger Dann ... Pierre Grandfort
Dolly Haas ... Alma Keller
Charles Andre ... Father Millars
rest of cast listed alphabetically:
Nan Boardman ... Maid (uncredited)

Henry Corden ... Det. Sgt. Farouche (uncredited)
Carmen Gingras ... 1st French Girl (uncredited)
Albert Godderis ... Nightwatchman (uncredited)

Alfred Hitchcock ... Man Crossing the Top of Long Staircase (uncredited)
Renée Hudon ... 2nd French Girl (uncredited)
Ovila Légaré ... Monsieur Villette (uncredited)
Gilles Pelletier ... Father Benoit (uncredited)
Judson Pratt ... Murphy (uncredited)

Directed by
Alfred Hitchcock 
Writing credits
George Tabori (screen play) and
William Archibald (screen play)

Paul Anthelme (from a play by)

Produced by
Sidney Bernstein .... producer (uncredited)
Alfred Hitchcock .... producer (uncredited)
Original Music by
Dimitri Tiomkin 
Cinematography by
Robert Burks (director of photography)
Film Editing by
Rudi Fehr 
Art Direction by
Ted Haworth  (as Edward S. Haworth)
John Beckman (uncredited)
Set Decoration by
George James Hopkins 
Makeup Department
Gordon Bau .... makeup artist
Agnes Flanagan .... hairdresser (uncredited)
Production Management
Sherry Shourds .... production supervisor
Second Unit Director or Assistant Director
Don Alvarado .... assistant director (as Don Page)
C. Carter Gibson .... second assistant director (uncredited)
Art Department
Eddie Edwards .... props (uncredited)
Ben L. Goldman .... props (uncredited)
Robert B. Greene .... painter (uncredited)
Sound Department
Oliver S. Garretson .... sound
O.H. Hudson .... boom (uncredited)
O.H. Hudson .... boom operator (uncredited)
Eugene F. Westfall .... recordist (uncredited)
Special Effects by
Richard C. Smith .... effects (uncredited)
Camera and Electrical Department
Jack Albin .... still photographer (uncredited)
George Bennett .... electrician (uncredited)
Donald O. Cedergren .... grip (uncredited)
Joseph H. Daegle .... grip (uncredited)
Everett Dexter .... grip (uncredited)
Gibby Germaine .... best boy (uncredited)
Van Mathews .... electrician (uncredited)
Harold Noyes .... grip (uncredited)
Joe O'Connell .... electrician (uncredited)
Wallace Pade .... grip (uncredited)
William H. Phillips .... generator operator (uncredited)
Walter Robinson .... assistant camera (uncredited)
George Satterfield .... gaffer (uncredited)
William Schurr .... camera operator (uncredited)
Fred Sealock .... electrician (uncredited)
Leonard J. South .... assistant camera (uncredited)
Kenneth B. Taylor .... grip (uncredited)
Costume and Wardrobe Department
Orry-Kelly .... wardrobe
Joan Joseff .... costume jeweller (uncredited)
Ted Kring .... wardrobe: men (uncredited)
Elva Martien .... wardrobe: women (uncredited)
Martine .... costumer (uncredited)
Music Department
Ray Heindorf .... musical director
Dimitri Tiomkin .... conductor
Paul Marquardt .... orchestrator (uncredited)
George Parrish .... orchestrator (uncredited)
Herbert Taylor .... orchestrator (uncredited)
Transportation Department
Harry Allison .... driver (uncredited)
Kenneth Greene .... driver (uncredited)
Harry Zubrinsky .... transportation gaffer (uncredited)
Other crew
Barbara Keon .... production associate
Paul LaCouline .... technical advisor (as Father Paul LaCouline)
Carl P. Benoit .... location manager (uncredited)
Charles Bonniwell .... location auditor (uncredited)
Marvin Margulies .... assistant location auditor (uncredited)
Rita Michaels .... script supervisor (uncredited)
Victor Peers .... general manager (uncredited)
Oliver Tangvay .... technical advisor (uncredited)
Crew verified as complete

Production Companies
  • Warner Bros. (presents) (as Warner Bros. Pictures) (as A Warner Bros.- First National Picture also)
DistributorsOther Companies

Additional Details

Also Known As:
"Alfred Hitchcock's 'I Confess!'" - USA (promotional title)
See more »
95 min
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Argentina:16 | Australia:PG | Brazil:16 | Canada:PG (Ontario) | Canada:PG (video rating) | Finland:K-16 | France:U | Netherlands:18 (original rating) (1953) | Peru:18 | Spain:18 | Sweden:15 | UK:A (original rating) | UK:PG (tv rating) | UK:PG (re-rating) (1995) | UK:PG (video rating) (1988) (2004) | USA:Not Rated (DVD Rating) | USA:Approved (PCA #16036) | West Germany:12

Did You Know?

In his interview with François Truffaut, Alfred Hitchcock said he was so impressed with the performance of Anita Björk in Miss Julie (1951) that he hired her for this movie. However, when she arrived in Hollywood, Bjork brought her lover, writer Stig Dagerman, and their baby daughter. Since they were not married, Warner Bros. insisted that Hitchcock find another actress for the role of Ruth Grandfort, in this case Anne Baxter.See more »
Revealing mistakes: Just before Logan accidentally smashes the car window when he's attacked by the mob, the window can clearly be seen to have been "pre-cracked" to allow it to break upon impact.See more »
Fr. Michael William Logan:I never thought of the priesthood as offering a hiding place.See more »
Movie Connections:
Veni Creator SpiritusSee more »


Hedda Hopper---What Did She Write About "I Confess"?
Montgomery Clift---When Was He Signed by Hitch?
See more »
13 out of 18 people found the following review useful.
Average For Hitchcock, Good By Any Other Standard, 15 May 2001
Author: Snow Leopard from Ohio

"I Confess" is merely an average entry in Alfred Hitchcock's filmography, but it is a pretty good film by any other standard. It has some basic weaknesses, but also some major strengths that make it worthwhile. The basic story is established early: Catholic priest Father Logan (Montgomery Clift) hears a confession from the church caretaker, who has just killed a man. Circumstantial evidence leads to Father Logan himself being suspected, but he is bound by the seal of the confessional and is unable to clear himself, putting him in serious danger of being wrongly convicted.

Two basic weaknesses keep "I Confess" from being one of Hitchcock's better works. First, too much of the plot hinges on the priest's confessional responsibility. In itself, this is an interesting plot device, leading to an interesting twist on one of Hitchcock's favorite themes, the wrongly accused man. But there are not enough other significant plot elements, and this one point cannot bear the load that it has to carry. In particular, a non-Catholic viewer, without an intuitive sense of the importance of confessional, will find it difficult to remember just how impossible it is for Father Logan to clear himself. This could have been established somehow earlier in the film - Hitchcock could be very creative when demonstrating things like this - but as it is, it is assumed that we already appreciate its importance.

The two leads also are less than ideal in their roles, making it harder for the audience to develop the deep identification with them that makes Hitchcock's best movies such exciting experiences. The ever-brooding Clift is very believable as a priest, but his acting range is too limited to make us fully appreciate his dilemma, nor can he make the romance angle as compelling as it could have been. Anne Baxter is also too melodramatic as Logan's old friend who wants to clear him. Baxter is a good actress in the right part - for example, her breathlessness is ideal in "All About Eve" - but her character here really called for something different.

Yet there are some strengths to "I Confess". One that stands out is the wonderful black-and-white photography. The film was made on location in Quebec, and Hitchcock masterfully uses a careful selection of shots throughout the picture that establish Quebec's distinctiveness and its stark beauty. It is one of Hitchcock's best pieces of location filming, rivaling the French Riviera scenery of "To Catch a Thief", although of course with a much different tone. In both films, the location nicely complements the story.

Karl Malden is good as the inspector assigned to the case. Malden must accept the usual role of a Hitchcock policeman - hard-working, honest, and earnest, but not very perceptive. Malden makes what could have been a bland character come to life.

There is also a fine climactic sequence: Father Logan is finally put on trial, and the verdict sparks public outrage and a carefully filmed and suspenseful chain of events. The climax is perhaps less satisfying than those of Hitchcock's best films, but that is mainly because we never learned to identify very much with the characters; it is not a fault of the ending itself. There are some fine Hitchcock touches here that you have to catch on repeat viewings.

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Recent Posts (updated daily)User
Just saw it in the theatre michaelmartind
The original play rscarp
I Confess is a highly underrated film. DAMAGER7750
dated, and a dud (Spoilers) monkish
Why shouldn't I shoot you? Because you call me Otto? - SPOILER manuel-pestalozzi
Anne v Monty cruisemama98
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