| Photos (See all 21 | slideshow) | Videos (see all 2) |
| Montgomery Clift | ... | Father Michael Logan | |
| Anne Baxter | ... | Ruth Grandfort | |
| Karl Malden | ... | Inspector Larrue | |
| Brian Aherne | ... | Willy Robertson | |
| O.E. Hasse | ... | Otto Keller | |
| Roger Dann | ... | Pierre Grandfort | |
| Dolly Haas | ... | Alma Keller | |
| Charles Andre | ... | Father Millars | |
| rest of cast listed alphabetically: | |||
| Nan Boardman | ... | Maid (uncredited) | |
| Henry Corden | ... | Det. Sgt. Farouche (uncredited) | |
| Carmen Gingras | ... | 1st French Girl (uncredited) | |
| Albert Godderis | ... | Nightwatchman (uncredited) | |
| Alfred Hitchcock | ... | Man Crossing the Top of Long Staircase (uncredited) | |
| Renée Hudon | ... | 2nd French Girl (uncredited) | |
| Ovila Légaré | ... | Monsieur Villette (uncredited) | |
| Gilles Pelletier | ... | Father Benoit (uncredited) | |
| Judson Pratt | ... | Murphy (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| George Tabori | (screen play) and | |
| William Archibald | (screen play) | |
| Paul Anthelme | (from a play by) | |
Produced by | |||
| Sidney Bernstein | .... | producer (uncredited) | |
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| Robert Burks | (director of photography) | ||
Film Editing by | |||
| Rudi Fehr | (film editor) | ||
Art Direction by | |||
| Ted Haworth | (as Edward S. Haworth) | ||
| John Beckman | (uncredited) | ||
Set Decoration by | |||
| George James Hopkins | |||
Costume Design by | |||
| Orry-Kelly | (wardrobe by) | ||
Makeup Department | |||
| Gordon Bau | .... | makeup artist | |
| Agnes Flanagan | .... | hairdresser (uncredited) | |
Production Management | |||
| Sherry Shourds | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Don Alvarado | .... | assistant director (as Don Page) | |
| C. Carter Gibson | .... | second assistant director (uncredited) | |
Art Department | |||
| Eddie Edwards | .... | props (uncredited) | |
| Ben L. Goldman | .... | props (uncredited) | |
| Robert B. Greene | .... | painter (uncredited) | |
Sound Department | |||
| Oliver S. Garretson | .... | sound | |
| O.H. Hudson | .... | boom (uncredited) | |
| O.H. Hudson | .... | boom operator (uncredited) | |
| Eugene F. Westfall | .... | recordist (uncredited) | |
Special Effects by | |||
| Richard C. Smith | .... | effects (uncredited) | |
Camera and Electrical Department | |||
| Jack Albin | .... | stills (uncredited) | |
| George Bennett | .... | electrician (uncredited) | |
| Donald O. Cedergren | .... | grip (uncredited) | |
| Joseph H. Daegle | .... | grip (uncredited) | |
| Everett Dexter | .... | grip (uncredited) | |
| Gibby Germaine | .... | best boy (uncredited) | |
| Van Mathews | .... | electrician (uncredited) | |
| Harold Noyes | .... | grip (uncredited) | |
| Joe O'Connell | .... | electrician (uncredited) | |
| Wallace Pade | .... | grip (uncredited) | |
| William H. Phillips | .... | generator operator (uncredited) | |
| Walter Robinson | .... | assistant camera (uncredited) | |
| George Satterfield | .... | gaffer (uncredited) | |
| William Schurr | .... | camera operator (uncredited) | |
| Fred Sealock | .... | electrician (uncredited) | |
| Leonard J. South | .... | assistant camera (uncredited) | |
| Kenneth B. Taylor | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Joan Joseff | .... | costume jeweller (uncredited) | |
| Ted Kring | .... | wardrobe: men (uncredited) | |
| Elva Martien | .... | wardrobe: women (uncredited) | |
| Martine | .... | costumer (uncredited) | |
Music Department | |||
| Ray Heindorf | .... | musical director | |
| Dimitri Tiomkin | .... | conductor | |
| Paul Marquardt | .... | orchestrator (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| Herbert Taylor | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Harry Allison | .... | driver (uncredited) | |
| Kenneth Greene | .... | driver (uncredited) | |
| Harry Zubrinsky | .... | transportation gaffer (uncredited) | |
Other crew | |||
| Barbara Keon | .... | production associate | |
| Paul LaCouline | .... | technical advisor (as Father Paul LaCouline) | |
| Carl P. Benoit | .... | location manager (uncredited) | |
| Charles Bonniwell | .... | location auditor (uncredited) | |
| Marvin Margulies | .... | assistant location auditor (uncredited) | |
| Rita Michaels | .... | script supervisor (uncredited) | |
| Victor Peers | .... | general manager (uncredited) | |
| Oliver Tangvay | .... | technical advisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
"I Confess" is the most under exposed/appreciated/rated of Hitchcock's films. It is as convincing (except for the minimal flashbacks) as "Shadow of a Doubt" in terms of both its art and its reality. Its mise en scene captures Quebec City, its specifically Catholic culture, its history, its moral dramas, and its character types. I think Clift and Baxter are perfectly cast, as are Aherne and Maldon. Keller and Alma truly hit home as Catholic parish staff and carry effectively much of the drama and suspense of this true Hitch sleeper, which is also a memorable romance. (There is indeed a great deal of genuine emotion and deep feeling in this very ordinary and convincing world).