| Photos (See all 21 | slideshow) | Videos (see all 2) |
| Montgomery Clift | ... | Father Michael Logan | |
| Anne Baxter | ... | Ruth Grandfort | |
| Karl Malden | ... | Inspector Larrue | |
| Brian Aherne | ... | Willy Robertson | |
| O.E. Hasse | ... | Otto Keller | |
| Roger Dann | ... | Pierre Grandfort | |
| Dolly Haas | ... | Alma Keller | |
| Charles Andre | ... | Father Millars | |
| rest of cast listed alphabetically: | |||
| Nan Boardman | ... | Maid (uncredited) | |
| Henry Corden | ... | Det. Sgt. Farouche (uncredited) | |
| Carmen Gingras | ... | 1st French Girl (uncredited) | |
| Albert Godderis | ... | Nightwatchman (uncredited) | |
| Alfred Hitchcock | ... | Man Crossing the Top of Long Staircase (uncredited) | |
| Renée Hudon | ... | 2nd French Girl (uncredited) | |
| Ovila Légaré | ... | Monsieur Villette (uncredited) | |
| Gilles Pelletier | ... | Father Benoit (uncredited) | |
| Judson Pratt | ... | Murphy (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| George Tabori | (screen play) and | |
| William Archibald | (screen play) | |
| Paul Anthelme | (from a play by) | |
Produced by | |||
| Sidney Bernstein | .... | producer (uncredited) | |
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| Robert Burks | (director of photography) | ||
Film Editing by | |||
| Rudi Fehr | (film editor) | ||
Art Direction by | |||
| Ted Haworth | (as Edward S. Haworth) | ||
| John Beckman | (uncredited) | ||
Set Decoration by | |||
| George James Hopkins | |||
Makeup Department | |||
| Gordon Bau | .... | makeup artist | |
| Agnes Flanagan | .... | hairdresser (uncredited) | |
Production Management | |||
| Sherry Shourds | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Don Alvarado | .... | assistant director (as Don Page) | |
| C. Carter Gibson | .... | second assistant director (uncredited) | |
Art Department | |||
| Eddie Edwards | .... | props (uncredited) | |
| Ben L. Goldman | .... | props (uncredited) | |
| Robert B. Greene | .... | painter (uncredited) | |
Sound Department | |||
| Oliver S. Garretson | .... | sound | |
| O.H. Hudson | .... | boom (uncredited) | |
| O.H. Hudson | .... | boom operator (uncredited) | |
| Eugene F. Westfall | .... | recordist (uncredited) | |
Special Effects by | |||
| Richard C. Smith | .... | effects (uncredited) | |
Camera and Electrical Department | |||
| Jack Albin | .... | stills (uncredited) | |
| George Bennett | .... | electrician (uncredited) | |
| Donald O. Cedergren | .... | grip (uncredited) | |
| Joseph H. Daegle | .... | grip (uncredited) | |
| Everett Dexter | .... | grip (uncredited) | |
| Gibby Germaine | .... | best boy (uncredited) | |
| Van Mathews | .... | electrician (uncredited) | |
| Harold Noyes | .... | grip (uncredited) | |
| Joe O'Connell | .... | electrician (uncredited) | |
| Wallace Pade | .... | grip (uncredited) | |
| William H. Phillips | .... | generator operator (uncredited) | |
| Walter Robinson | .... | assistant camera (uncredited) | |
| George Satterfield | .... | gaffer (uncredited) | |
| William Schurr | .... | camera operator (uncredited) | |
| Fred Sealock | .... | electrician (uncredited) | |
| Leonard J. South | .... | assistant camera (uncredited) | |
| Kenneth B. Taylor | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Orry-Kelly | .... | wardrobe | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
| Ted Kring | .... | wardrobe: men (uncredited) | |
| Elva Martien | .... | wardrobe: women (uncredited) | |
| Martine | .... | costumer (uncredited) | |
Music Department | |||
| Ray Heindorf | .... | musical director | |
| Dimitri Tiomkin | .... | conductor | |
| Paul Marquardt | .... | orchestrator (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| Herbert Taylor | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Harry Allison | .... | driver (uncredited) | |
| Kenneth Greene | .... | driver (uncredited) | |
| Harry Zubrinsky | .... | transportation gaffer (uncredited) | |
Other crew | |||
| Barbara Keon | .... | production associate | |
| Paul LaCouline | .... | technical advisor (as Father Paul LaCouline) | |
| Carl P. Benoit | .... | location manager (uncredited) | |
| Charles Bonniwell | .... | location auditor (uncredited) | |
| Marvin Margulies | .... | assistant location auditor (uncredited) | |
| Rita Michaels | .... | script supervisor (uncredited) | |
| Victor Peers | .... | general manager (uncredited) | |
| Oliver Tangvay | .... | technical advisor (uncredited) | |
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This may not be one of Hitchcock's greatest movies, but it's still a great film, since it was made by the master, who somehow managed to survive beautifully in Hollywood for many years. It contains many of his favorite things: lamps, the backs of people's heads, bedposts, ladies pacing in front of mantelpieces, obvious symbolism, architecture, performing arts halls, etc. More somber in tone than most Hitchcock thrillers, it should not be missed by any Hitchcock fan.
Nor by any Montgomery Clift fan. At one point Clift is juxtaposed against a statue of Christ dragging his cross, taunted by soldiers. This could be the impishly sadistic Hitchcock poking fun at the "plugged-up" persona that Clift was developing for himself, but Clift is nevertheless excellent as the brooding, sensitive priest trapped by his own devotional vows. And of course he's physically beautiful: the hair, the eyes, the eyebrows.
Less effective, although she has her moments, is Anne Baxter who was a replacement for a European actress. It's too bad, because it's hard to buy Baxter as the luscious Hitchcock blonde. Her hairdo is awful (well, it was 1953, so it's not entirely her fault)and she does that line reading that she does in every movie, including "All About Eve," where each line fades to a whisper, or starts as a whisper and stays that way. Once you become aware of it, you can't not notice it! She does, however, have at least one great Orry-Kelly dress and the way she snaps "Yes" at her husband was worth a rollback for a second viewing.
The new DVD is excellent. It has a little documentary which is enjoyable, if you can stand Peter Bogdanovich doing his Hitchcock impersonation. Hitchcock's daughter is also in the documentary. It's amazing how she seems to not really understand what her father was up to sub-textually, but she continues to enjoy his success.