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A priest who comes under suspicion for murder cannot clear his name without breaking the seal of the confessional.

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Cast

Complete credited cast:
...
...
...
...
O.E. Hasse ...
Otto Keller (as O. E. Hasse)
Roger Dann ...
Dolly Haas ...
Charles Andre ...
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Storyline

Otto Kellar and his wife Alma work as caretaker and housekeeper at a Catholic church in Quebec. Whilst robbing a house where he sometimes works as a gardener, Otto is caught and kills the owner. Racked with guilt he heads back to the church where Father Michael Logan is working late. Otto confesses his crime, but when the police begin to suspect Father Logan he cannot reveal what he has been told in the confession. Written by Col Needham <col@imdb.com>

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FILMED IN CANADA'S COLORFUL QUEBEC BY WARNER BROS. (original print ad - all caps) See more »


Certificate:

Not Rated | See all certifications »

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Details

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Release Date:

22 March 1953 (USA)  »

Also Known As:

Alfred Hitchcock's 'I Confess!'  »

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Alfred Hitchcock was disappointed by the lukewarm reception of I Confess, and later judged it to be heavy-handed and lacking his usual humour and subtlety. See more »

Goofs

When Pierre comes into her bedroom, Ruth sits on the bed with her right arm leaning on the bed. In the next shot her right arm is extended on her right leg. See more »

Quotes

Otto Keller: I have abused your kindness. You who gave my wife and me a home - even friendship, so wonderful a thing for a refugee, a German, a man without a home.
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Connections

Referenced in Nickelodeon (1976) See more »

Soundtracks

Love, Look What You've Done To Me
(uncredited)
Music by Dimitri Tiomkin
Lyrics by Ned Washington
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Frequently Asked Questions

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User Reviews

 
Brooding, moody, deceptively simple, and beautiful study of guilt and honor
30 October 2009 | by (United States) – See all my reviews

I Confess (1953)

This is one of Hitchcock's darkest films, and one of the best for seamless believability--it lacks some of the breaks from verisimilitude that bigger hits like Psycho and Vertigo famously use. It also has the incomparable Montgomery Clift, who took intensity to new heights as the first in a series of great method actors in the 1950s. He really wasn't a Hitchcock kind of actor (the director liked the artifice and changeability of a Cary Grant or Jimmy Stewart much more), but he makes the film what it is, and Hitchcock surely knew it, and made the most of it. When the camera (in the hand of Robert Burks) sweeps up to a full screen view of Clift's face and you see those glowing, brooding eyes, you fall under their collective spell. Yeah, it's great stuff.

The plot is pretty simple and amazing--a priest (Clift) learns something in a confession that come to haunt him in unexpected and very threatening ways. Hitchcock manages to push the envelope a little, as usual, in this case by having an illicit-seeming sexual affair be one of the keys to the plot. This implication naturally complicates the priest's life, but during the main plot of the movie and in a cheery flashback for backstory. Anne Baxter, the principled, strong woman (also not a Hitchcock forte) is terrific throughout, terrific the way Ingrid Bergman was in Notorious. Unlike most of Hitchcock's output, there is essentially no comic relief here, and the light and camera-work are equally dark--and truly gorgeous.

The French New Wave directors really admired this particular film of Hitchcock's, and you can see why. But it is also just a great, fast, distressing American melodrama set in France. It's not sensational, but it is spectacular, one of my favorites among many by this odd, brilliant auteur.


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An attack on the Catholic Church? d-h-berry
I Confess is a highly underrated film. DAMAGER7750
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Hitcock pissed off at Quebec premiere!!! gauthierxavier
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