I Confess (1953)

Director:

Alfred Hitchcock

Writers:

George Tabori (screenplay) and
William Archibald (screenplay) ...

Release Date:

22 March 1953 (USA)

Genre:

Crime | Film-Noir | Thriller

Tagline:

FILMED IN CANADA'S COLORFUL QUEBEC BY WARNER BROS. (original print ad - all caps)

Plot:

Refusing to give into police investigators' questions of suspicion, due to the seal of confession, a priest becomes the prime suspect in a murder.

Plot Keywords:

Priest | Police | Murder | Lawyer | Confession

Awards:

1 nomination

Cast

Montgomery Clift	...	Fr. Michael William Logan
Anne Baxter	...	Ruth Grandfort
Karl Malden	...	Inspector Larrue
Brian Aherne	...	Willy Robertson
O.E. Hasse	...	Otto Keller
Roger Dann	...	Pierre Grandfort
Dolly Haas	...	Alma Keller
Charles Andre	...	Fr. Millars

Also Known As:

Alfred Hitchcock's 'I Confess!' (USA) (promotional title)

Runtime:

95 min

Country:

USA

Language:

English | French | Italian | German

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Spain:18 | Canada:PG (Ontario) | UK:A (original rating) | UK:PG (1988) | Brazil:16 | Canada:PG (video rating) | Argentina:16 | Australia:PG | Chile:18 | Finland:K-16 | France:U | Peru:18 | Sweden:15 | USA:Approved (PCA #16036) | West Germany:12

Filming Locations:

Eglise Saint-Zéphirin de Stadacona, quartier Limoilou, 972 rue Saint-Jean, Québec, Québec, Canada

Company:

Warner Bros. Pictures

Trivia:

In the 1953 French-dubbed version, the Montgomery Clift character is called 'Marcel' instead of 'Michael'.

Goofs:

Continuity: While Ruth waits for her husband beside the door of the city council, a thin old man enters and walks until the desk and then disappears between shots.

Quotes:

[first lines]
Fr. Michael William Logan: Who's there?

Movie Connections:

Featured in Hitchcock's Confession: A Look at 'I Confess' (2004) (V)

Soundtrack:

Love, Look What You've Done To Me

hitch's sleeper

"I Confess" is the most under exposed/appreciated/rated of Hitchcock's films. It is as convincing (except for the minimal flashbacks) as "Shadow of a Doubt" in terms of both its art and its reality. Its mise en scene captures Quebec City, its specifically Catholic culture, its history, its moral dramas, and its character types. I think Clift and Baxter are perfectly cast, as are Aherne and Maldon. Keller and Alma truly hit home as Catholic parish staff and carry effectively much of the drama and suspense of this true Hitch sleeper, which is also a memorable romance. (There is indeed a great deal of genuine emotion and deep feeling in this very ordinary and convincing world).