4 items from 2017
One would think having played Captain Hook in Peter Pan, Lucius Malfoy in the Harry Potter movies and voicing DC villains like Sinestro and Ra's Al Ghul in animated films--as well as a couple more authoritarian figures in Star Wars: Rebels--would have gotten any desire to be evil out of actor Jason Isaacs’ system.
And yet, he’s playing a more enigmatic character in director Gore Verbinski’s twisted new thriller A Cure for Wellness, which follows Dane DeHaan as a financial broker named Lockhard to Switzerland to retrieve the CEO of his company who is thought to have lost his marble in search of a cure at a spa located at an old castle in the Alps. Once there, Lockhard breaks his leg in a car accident, and he’s put under the care of Isaacs’ Dr. Vollmar, creator of the cure based around the area’s underground waters and their healing properties. »
- Edward Douglas
Ring Twice for Miranda
Stage II at New York City Center Through April 16, 2017
During Ring Twice for Miranda, while witnessing the frequent long and drawn-out arguments scenes that pepper this play’s landscape, I was reminded of Andy Warhol’s Chelsea Girls. What kept your attention during that film’s interminable arguments among Warhol’s characters was hope of some kind of satisfying resolution. Playwright Alan Hruska is by trade a litigation lawyer, so he knows how to argue. Unfortunately his characters do not share his real life expertise. I kept saying to myself “come on, get on with it!” My impatience had me physically squirming much as I did when, eons ago, I first viewed Chelsea Girls! In addition, specters of the post-apocalyptic Spike Milligan/Richard Lester film collaboration The Bed Sitting Room floated about me. Absent from Miranda’s world was the clear social satire and whimsy which sustained Mr. »
- Jay Reisberg
By Hank Reineke
Though Vincent Price would eventually garner a well-deserved reputation as Hollywood’s preeminent bogeyman, it was only really with André De Toth’s House of Wax (1953) that the actor would become associated with all things sinister. In some sense the playful, nervously elegant Price was an odd successor to the horror film-maestro throne: he was a somewhat aristocratic psychotic who shared neither Boris Karloff’s cold and malevolent scowl nor Bela Lugosi’s distinctly unhinged madness or old-world exoticism.
His early film career started in a less pigeonholed manner: as a budding movie actor with a seven year contract for Universal Studios in the 1940s, the tall, elegant Price would appear in a number of semi-distinguished if modestly-budgeted romantic comedies and dramas. His contract with Universal was apparently non-exclusive, and his most memorable roles for the studio were his earliest. In a harbinger of things to come, »
- email@example.com (Cinema Retro)
1954 / Color / 1:85 widescreen / 72 min. / Street Date January 10, 2017 / Available from the Twilight Time Movies Store 29.95
Cinematography: Bert Glennon
Editor: Grant Whytock
Written by: Crane Wilbur
Produced by: Bryan Foy
Directed by John Brahm
Twilight Time, bless ’em, hands us another treat to go with their 3-D discs of Man in the Dark, Miss Sadie Thompson and Harlock Space Pirate 3-D — and this time it’s a fun bit of 1950s horror — with a hot pair of short subject extras.
There have been plenty of theories as to why horror films became scarce after WW2; it’s as if the U.S. film industry took a ten-year break from the supernatural, and partly »
- Glenn Erickson
4 items from 2017
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