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House of Wax (1953)

Approved | | Horror | 25 April 1953 (USA)
An associate burns down a wax museum with the owner inside, but he survives only to become vengeful and murderous.

Director:

(as Andre de Toth)

Writers:

(screenplay), (story)
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Cast

Complete credited cast:
...
...
Det. Lt. Tom Brennan
...
Sue Allen
...
Cathy Gray
...
Scott Andrews
...
Matthew Burke
Angela Clarke ...
Mrs. Andrews
...
Sidney Wallace
...
Sgt. Jim Shane
...
Igor (as Charles Buchinsky)
Reggie Rymal ...
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Storyline

Professor Henry Jarrod is a true artist whose wax sculptures are lifelike. He specializes in historical tableau's such a Marie Antoinette or Joan of Arc. His business partner, Matthew Burke, needs some of his investment returned to him and pushes Jarrod to have more lurid exposes like a chamber of horrors. When Jarrod refuses, Burke set the place alight destroying all of his beautiful work in the hope of claiming the insurance. Jarrod is believed to have died in the fire but he unexpectedly reappears some 18 months later when he opens a new exhibit. This time, his displays focus on the macabre but he has yet to reproduce his most cherished work, Marie Antoinette. When he meets his new assistant's beautiful friend, Sue Allen, he knows he's found the perfect model - only unbeknown to anyone, he has a very particular way of making his wax creations. Written by garykmcd

Plot Summary | Plot Synopsis

Plot Keywords:

wax | sculptor | fire | wax museum | morgue | See All (40) »

Taglines:

Warner Bros. bring you the first feature produced by a major studio in 3D... See more »

Genres:

Horror

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 April 1953 (USA)  »

Also Known As:

The Wax Works  »

Box Office

Budget:

$658,000 (estimated)

Gross:

$23,750,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (WarnerPhonic/RCA) (3 channels)

Color:

(WarnerColor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The trailer was scored by Max Steiner. See more »

Goofs

When Sue enters the museum looking for Scott she leaves the door ajar but when Igor goes to lock it the door is shut. See more »

Quotes

Prof. Henry Jarrod: People say they can see my Marie Antoinette breathe; that her breast rises and falls. Look at her eyes. They follow you where ever you go. She's very real to me.
Bruce Allison: You know her eyes do follow you.
Prof. Henry Jarrod: They're made of glass, more's the pity, the exact size and color of the original. They're inserted into the sockets from inside by way of the hollow neck before the head is attached to the body.
Prof. Henry Jarrod: [speaking to the figure of Marie Antoinette] Forgive me, my dear, for discussing your intimate secrets.
Prof. Henry Jarrod: [...]
See more »

Connections

Referenced in Terror in the Wax Museum (1973) See more »

Soundtracks

Battle Hymn of the Republic
(uncredited)
Music by William Steffe
Lyrics by Julia Ward Howe
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of the most important films of the 1950s.
31 October 2000 | by (dublin, ireland) – See all my reviews

Ostensibly a shocker and a spectacle, 'House of Wax' is one of the great films about films. It works brilliantly as a horror, one of the few films to reek of dread and death; some of the grisly images (Jarrod's partner hanging down an elevator shaft, later exhibited in the museum) are inspired; the suspense sequences combine eerie visual beauty with fundamental sexual fears (the film's treatment of independent women in a patriarchal world is very astute in the housewife 50s). Vincent Price's performance as a man who can only feel alive with the dead is very moving.

But 'Wax''s self-reflexivity is unprecedented in Hollywood films since the silents. It is a film using a novel spectacle (3-D) to encourage greater realism, concentrating on gruesome sensation. The film is about a museum, also called House of Wax, also a novel spectacle, also more realistic, and also gruesomely sensationalist. The film's artifice is always prominent, most violently with the ping-pong man, bridging the gap between film and audience by assailing us. What we are doing - watching a House of Wax - is what the characters are doing. And we know what happens to THEM...


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