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House of Wax (1953)

 -  Horror  -  25 April 1953 (USA)
7.1
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Ratings: 7.1/10 from 9,591 users  
Reviews: 109 user | 78 critic

An associate burns down a wax museum with the owner inside, but he survives only to become vengeful and murderous.

Director:

(as Andre de Toth)

Writers:

(screenplay), (story)
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Title: House of Wax (1953)

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Cast

Complete credited cast:
...
Frank Lovejoy ...
Det. Lt. Tom Brennan
...
Sue Allen
...
Cathy Gray
...
Scott Andrews
...
Matthew Burke
Angela Clarke ...
Mrs. Andrews
Paul Cavanagh ...
Sidney Wallace
...
Sgt. Jim Shane
...
Igor (as Charles Buchinsky)
Reggie Rymal ...
The Barker
Edit

Storyline

Professor Henry Jarrod is a true artist whose wax sculptures are lifelike. He specializes in historical tableau's such a Marie Antoinette or Joan of Arc. His business partner, Matthew Burke, needs some of his investment returned to him and pushes Jarrod to have more lurid exposes like a chamber of horrors. When Jarrod refuses, Burke set the place alight destroying all of his beautiful work in the hope of claiming the insurance. Jarrod is believed to have died in the fire but he unexpectedly reappears some 18 months later when he opens a new exhibit. This time, his displays focus on the macabre but he has yet to reproduce his most cherished work, Marie Antoinette. When he meets his new assistant's beautiful friend, Sue Allen, he knows he's found the perfect model - only unbeknown to anyone, he has a very particular way of making his wax creations. Written by garykmcd

Plot Summary | Plot Synopsis

Plot Keywords:

wax | sculptor | fire | wax museum | morgue | See All (37) »

Taglines:

UNLIKE ANYTHING YOU'VE SEEN BEFORE! (original print ad - all caps) See more »

Genres:

Horror

Certificate:

Approved | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

25 April 1953 (USA)  »

Also Known As:

The Wax Works  »

Box Office

Budget:

$658,000 (estimated)

Gross:

$23,750,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (WarnerPhonic/RCA)

Color:

(WarnerColor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Phyllis Kirk said that she had "no fond memories" of working with Charles Bronson. See more »

Goofs

Despite the comment by one of the characters that it's "the best figure of Booth" he's ever seen, Professor Jarrod's statue actually bears no resemblance at all to the real John Wilkes Booth. See more »

Quotes

Prof. Henry Jarrod: Everything I ever loved has been taken away from me , but not you my Marie Antoinette for I will give you eternal life.
See more »

Connections

Referenced in Scream: The Inside Story (2011) See more »

Soundtracks

On the Rue de la Paix
(uncredited)
Music by Werner R. Heymann
Danced by the can-can dancers
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Is this movie as much fun in 2D?
24 January 1999 | by (Toronto, Canada) – See all my reviews

Perhaps I've been lucky. I've only seen this film twice in the past 15 years, but both times were in 3D, the second time last night. The crowd just loved it, with a big round of applause at the end.

The paddle ball scene is a highlight, but the reprise of the paddle ball is even more hilarious. It's completely over the top, and helps to create the carnival atmosphere that makes the film so effective in a large group.

The really dramatic 3D effects in this film are played for laughs, and I think that's one of the keys to its overall success. Director André De Toth treats the gimmick as a gimmick, and doesn't try to get more out of it than that. Hitchcock, in "Dial M For Murder", tried to use the technology for dramatic effect, but that was a complete failure. The gimmick gets in the way of real drama. The attempted murder of Grace Kelly in "Dial M" is more shocking in 2D. In 3D, you're completely jolted out of your involvement in the scene when Grace's grasping hand comes lunging halfway out into the audience at you.

In "House of Wax", the effect found its real home, a melodramatic thriller, played by everyone with tongue firmly in cheek.

De Toth composes his shots really nicely, I think. There's some foregrounding of chandeliers and other props, but never too much. He mostly holds back on the effect until he can make the best use of it -- the paddle ball, the can-can dancer's round bottom, the bust of Charles Bronson at the end. There is one great 3D thrill, the shot where Bronson, playing Vincent Price's evil mute assistant, has to grapple with policeman Frank Lovejoy. Bronson appears to leap out of the audience and onto the screen; it's an unexpected moment, and a real treat.


19 of 23 people found this review helpful.  Was this review helpful to you?

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