With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Tom returns to his hometown on the tenth anniversary of the Valentine's night massacre that claimed the lives of 22 people. Instead of a homecoming, however, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one will believes he's innocent.
A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
A killer known as Ghostface begins killing off teenagers, and as the body count begins rising, one girl and her friends find themselves contemplating the "Rules" of horror films as they find themselves living in a real-life one.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
Professor Henry Jarrod is a true artist whose wax sculptures are lifelike. He specializes in historical tableau's such a Marie Antoinette or Joan of Arc. His business partner, Matthew Burke, needs some of his investment returned to him and pushes Jarrod to have more lurid exposes like a chamber of horrors. When Jarrod refuses, Burke set the place alight destroying all of his beautiful work in the hope of claiming the insurance. Jarrod is believed to have died in the fire but he unexpectedly reappears some 18 months later when he opens a new exhibit. This time, his displays focus on the macabre but he has yet to reproduce his most cherished work, Marie Antoinette. When he meets his new assistant's beautiful friend, Sue Allen, he knows he's found the perfect model - only unbeknown to anyone, he has a very particular way of making his wax creations. Written by
During the majority of the film Prof. Henry Jarrod (Vincent Price) looks normal and the skin of his face moves naturally. Near the end, when Sue Allen (Phyllis Kirk) strikes him in the face the wax mask he is wearing shatters, showing that it is hard and inflexible. See more »
[Sue is helping Cathy get ready]
Pull it tighter Sue, pull it tighter, I want a waist like Anna Held.
If I pull it any tighter you're not going to be able to breath.
Oh that's alright, I don't need much breath anyway, as my late friend Matty used to say, if a girl don't watch her figure the men won't.
Matty? Wasn't that the man you were going to marry?
Yes but he hung himself instead.
Oh Matty was such a card.
Well where's your new friend going to take you tonight?
To the Hauffman ...
[...] See more »
The House of Wax is a true horror classic! I saw it for the first time in 1953 at a local theatre in 3-D.
I have seen it many times since on video. It never ceases to entertain.
While watching it today I noticed something for the very first time: a most interesting anachronism.
This film takes place in old New York circa 1900. Every indoor scene has a gaslight in it, and the fire department responds with a horse-drawn wagon. Well, in one of the early scenes in the film Prof. Jarrod(Vincent Price)is conducting a prospective investor, Sidney Wallace(Paul Cavanagh), on a tour of his wax museum. There are gas lights everywhere. They arrive at an exhibit and Prof. Jarrod flips a wall switch, and presto the exhibit is illuminated in light. Somebody goofed!
If you've never seen The House of Wax, watch it. You'll love it.
One more interesting note. Dabbs Greer who plays Sergeant Jim Shane in this film also plays old Paul Edgecomb in the 1999 thriller The Green Mile.
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