With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Tom returns to his hometown on the tenth anniversary of the Valentine's night massacre that claimed the lives of 22 people. Instead of a homecoming, however, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one will believes he's innocent.
A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
A killer known as Ghostface begins killing off teenagers, and as the body count begins rising, one girl and her friends find themselves contemplating the "Rules" of horror films as they find themselves living in a real-life one.
Professor Henry Jarrod is a true artist whose wax sculptures are lifelike. He specializes in historical tableau's such a Marie Antoinette or Joan of Arc. His business partner, Matthew Burke, needs some of his investment returned to him and pushes Jarrod to have more lurid exposes like a chamber of horrors. When Jarrod refuses, Burke set the place alight destroying all of his beautiful work in the hope of claiming the insurance. Jarrod is believed to have died in the fire but he unexpectedly reappears some 18 months later when he opens a new exhibit. This time, his displays focus on the macabre but he has yet to reproduce his most cherished work, Marie Antoinette. When he meets his new assistant's beautiful friend, Sue Allen, he knows he's found the perfect model - only unbeknown to anyone, he has a very particular way of making his wax creations. Written by
According to the "Guinness Book of World Records", while this film is far from being the first 3-D film, nor the first in sound or color, it was the first 3-D film released with a stereophonic soundtrack (alas, though, the original stereo tracks are considered lost). See more »
During the majority of the film Prof. Henry Jarrod (Vincent Price) looks normal and the skin of his face moves naturally. Near the end, when Sue Allen (Phyllis Kirk) strikes him in the face the wax mask he is wearing shatters, showing that it is hard and inflexible. See more »
[Sue is helping Cathy get ready]
Pull it tighter Sue, pull it tighter, I want a waist like Anna Held.
If I pull it any tighter you're not going to be able to breath.
Oh that's alright, I don't need much breath anyway, as my late friend Matty used to say, if a girl don't watch her figure the men won't.
Matty? Wasn't that the man you were going to marry?
Yes but he hung himself instead.
Oh Matty was such a card.
Well where's your new friend going to take you tonight?
To the Hauffman ...
[...] See more »
House of Wax was one of the few films made in 3D which was a huge success. This may have more to do with the fact that it had a good, strong story and great acting and did not rely solely upon it's 3D special effects.
The late great Vincent Price is Henry Jarrod, a sweet and dedicated artist who creates lifelike mannequins for a wax museum. His statues - depicting everyone from Marie Antoinette & Joan of Arc to John Wilkes Booth - are loved by Henry as much as if they were his own children. When he objects to creating more horrific sculptures to attract more paying customers, his partner sets the museum on fire, hoping to collect a tidy sum in insurance money. Henry supposedly perishes in the flames, trying in vain to rescue his beloved wax friends in a scene which is truly heartbreaking. Some time later, Henry reappears, wheelchair bound and just a tad bitter. He has opened a new wax museum which features realistic scenes of murder and horror, many of them taken from current headlines. Unfortunately, some of them are just a little TOO realistic: one looks like Henry's ex-partner, who was found hanging in an elevator shaft. Was it really a suicide, or something more sinister? Joan of Arc bears a striking resemblance to Cathy Gray, a young girl who has gone missing from her room. And Cathy's friend Sue looks exactly like the lost Marie Antoinette, the pride and joy of Henry's former exhibit. Soon, a horribly scarred monster is chasing Sue through the foggy night time streets. Can the police, and Sue's artistic young suitor, solve the mystery in time? Or will Sue wind up as yet another display in the House of Wax?
This is a wonderful, creepy scare-fest with great sets, beautiful colors and strong performances. Vincent Price as Henry Jarrod is both lovable and horrifying as the kind man driven mad. Charles Bronson, in a very early role, is super freaky as Henry's mute and morbid assistant. Carolyn Jones (in her pre-Morticia Addams days) is blond, pretty Cathy, the squeaky opportunist with the heart of gold. Phyllis Kirk is the sensible Sue, a slightly uptight but genuinely believable victim. The scene where she must run through the deserted, fog-soaked streets is very, convincingly creepy. When Sue actually stops long enough to remove her noisy and cumbersome high heeled shoes, which give away her every step on the cobblestone road, I very nearly applauded. The 3D effects are an added bonus to an already wonderfully fun movie - watch for the classic paddle ball scene!
This is one of Price's best starring role films. It is everything that a good horror film should be - funny without being ridiculous, scary without the gore and fantastical without being far fetched. 10 stars!!! Don't miss it!
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