To pacify 104 sex-starved male soldiers building an Arctic radar base, Army psychologist Vicki Loren suggests choosing one by lot to have a "perfect furlough" as selected by the men: three ... See full summary »
Follow the man behind the magic as he finds fame, engages in espionage, battles spiritualists and encounters the greatest names of the era, from U.S. presidents to Sir Arthur Conan Doyle and Grigori Rasputin.
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The amazing career of master magician Harry Houdini is presented from his beginnings with a carnival "wild man" act to his emergence as an internationally-acclaimed illusionist, From his dramatic escape from a locked safe under the frozen Detroit River to an even more improbable one from a locked cell in Scotland Yard, he never failed to please and astound his audiences. Although Houdini's tricks are achieved through his marvelous physical dexterity and innate sleight-of-hand, he courted death with the hazardous illusions he performed and his compulsive quest to make contact with the spirit world. Written by
The movie contains several factual errors, the most telling of which is the dramatization of Harry Houdini's death. In the film he almost drowns in the torture tank trick and dies on the stage in the arms of his wife. In real life he was punched in the stomach by a college student who had heard that Houdini could withstand any blow without harm. This did, indeed, rupture his appendix. He later collapsed on stage, was taken to the hospital and died there. See more »
There's a revealing jump cut in the authentic sawing-woman-in-half act. See more »
It'll be the most dangerous thing I've ever done.
And the most dangerous!
Bess, people aren't going to stand in line and watch me pull rabbits out of a hat.
Why? Why must every act you do be flirting with death?
Because it's the only act that'll hold an audience spellbound. People fall asleep at the opera, but they stay wide awake at the bullfights because ther's one man defying death down in that arena. You take this out of my act and I'm nothing!
You keep it in and we're both nothing!
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The story of master magician Harry Houdini (18741926) becomes a glossy star-vehicle for Tony Curtis in the lead--and though the facts of Houdini's life are lumped right together with the Hollywood dross (as if this movie magazine-styled spread were one big true-life story), one is drawn in by Curtis' apparent commitment to the role. Director George Marshall stages some exciting set-pieces and a nice romance ensues between Tony's Houdini and assistant Bess, played by Curtis' real-life spouse Janet Leigh (doing appealing work). Philip Yordan adapted Harold Kellock's book, and the results are (surprisingly) entertaining despite all the requisite corn and clichés. **1/2 from ****
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