| Photos (See all 13 | slideshow) |
| John Wayne | ... | Hondo Lane | |
| Geraldine Page | ... | Angie Lowe | |
| Ward Bond | ... | Buffalo Baker | |
| Michael Pate | ... | Vittorio - Chiricahua Apache Chief | |
| James Arness | ... | Lennie - Army Indian Scout | |
| Rodolfo Acosta | ... | Silva | |
| Leo Gordon | ... | Ed Lowe | |
| Tom Irish | ... | Lt. McKay | |
| Lee Aaker | ... | Johnny Lowe | |
| Paul Fix | ... | Maj. Sherry | |
| Rayford Barnes | ... | Pete - Card Player in Saloon | |
| rest of cast listed alphabetically: | |||
| Frank McGrath | ... | Lowe's Partner (uncredited) | |
| Morry Ogden | ... | Horse Rider - Opening Scene (uncredited) | |
| Chuck Roberson | ... | Otawanga / Cavalry Sergeant Killed in Indian Attack (uncredited) | |
| Sam | ... | Hondo's dog (uncredited) | |
Directed by | |||
| John Farrow | |||
Writing credits | ||
| James Edward Grant | (screenplay) | |
| Louis L'Amour | (story) | |
Produced by | |||
| Robert Fellows | .... | producer | |
| John Wayne | .... | producer (uncredited) | |
Original Music by | |||
| Hugo Friedhofer | |||
| Emil Newman | |||
Cinematography by | |||
| Robert Burks | (photography) | ||
| Archie Stout | (photography) | ||
Film Editing by | |||
| Ralph Dawson | |||
Art Direction by | |||
| Alfred Ybarra | |||
Makeup Department | |||
| Web Overlander | .... | makeup artist | |
Production Management | |||
| Nate H. Edwards | .... | production manager | |
| Andrew V. McLaglen | .... | unit production manager (as Andrew McLaglen) | |
Second Unit Director or Assistant Director | |||
| Nathan Barragar | .... | assistant director (as Nate Barragar) | |
| John Ford | .... | second unit director (uncredited) | |
| Cliff Lyons | .... | second unit director (uncredited) | |
Art Department | |||
| Joe LaBella | .... | propertyman (as Joseph La Bella) | |
Sound Department | |||
| Nicolás de la Rosa | .... | sound dialogue recording | |
| Nicolás de la Rosa | .... | sound (uncredited) | |
Special Effects by | |||
| Al Gonzales | .... | special effects (as Al Gonzalez) | |
Stunts | |||
| X Brands | .... | stunts (uncredited) | |
| Chuck Hayward | .... | stunt double: John Wayne (uncredited) | |
| Fred Kennedy | .... | stunts (uncredited) | |
| Fred Krone | .... | stunts (uncredited) | |
| Cliff Lyons | .... | stunts (uncredited) | |
| Frank McGrath | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| Bob Rose | .... | stunts (uncredited) | |
| Bobby Somers | .... | stunts (uncredited) | |
| Terry Wilson | .... | stunts (uncredited) | |
| Jack N. Young | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Don Christie | .... | stills | |
| Leonard J. South | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Carl Walker | .... | wardrobe | |
Music Department | |||
| Emil Newman | .... | musical director (uncredited) | |
Other crew | |||
| Sam Freedle | .... | script supervisor | |
| Philip Kieffer | .... | technical advisor (as Major Philip Kieffer) | |
| 'Chema' Hernandez | .... | head wrangler: Mexico (uncredited) | |
| Rudd Weatherwax | .... | dog trainer (uncredited) | |
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| Duel at Diablo | Arrowhead | They Died with Their Boots On | Son of Zorro | Silverado |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
At first glance, John Wayne's 1953 western, "Hondo", bears a remarkable similarity to another 1953 release, George Stevens' classic, "Shane". Both films open with an iconic stranger appearing out of the wilderness, spotted first by a young, impressionable boy. Both title characters arrive at homesteads in need of an 'extra pair of hands', and form unspoken bonds with the women of the households. Both Hondo and Shane have survival skills the families desperately need, even as the families fill a void in their own lives. But while Stevens' film moves at a slow, deliberate pace, meticulously creating a near mythic vision, "Hondo" director John Farrow, working from a script by longtime Wayne scribe James Edward Grant (from Louis L'Amour story), cuts the exposition down to basics, giving the film a much leaner 'look', with a climax (actually directed by John Ford, as Farrow had scheduling problems with another film) that is so fast-paced that it can leave a viewer in 'midair', expecting more. As a result, "Hondo" isn't held in as high esteem as "Shane", but is certainly a rewarding, entertaining experience, with one of Wayne's best pre-"Searchers" performances, and Geraldine Page earning an Oscar nomination in her film debut.
Filmed in the broiling summer heat of Mexico, utilizing massive, cumbersome dual cameras to create 3-D (which both Wayne and Warner studio head Jack Warner felt was the wave of the future, but would be passé by the film's release), the production was grueling, yet formed lasting friendships. Australian Michael Pate, playing the key role of historic Chiricahua Apache Chief, Vittorio, was stunned to find Wayne, during a dangerous riding sequence, running along, off-camera, to protect him if he fell (Wayne, impressed by the actor, would cast him, ten years later, as another Indian chief in "McLintock!"). Many of Wayne's 'Stock Company' (Ward Bond, Paul Fix, James Arness, Leo Gordon, and Chuck Roberson) have roles (Bond's bearded, crusty 'Buffalo Baker' is a standout). John Ford, between films, vacationed in Mexico to visit Wayne and Bond, and was recruited (unbilled), to help direct.
The only discordant note was stage actress Page. Wayne had hoped to get Katharine Hepburn for the role of Angie Lowe, but the liberal actress wasn't comfortable working with the politically conservative Wayne at that time (during the "Witch Hunt" for suspected Communists in the film industry), and passed on the project (as would her long-time love, Spencer Tracy, in "The High and the Mighty", Wayne's next production). It would be 22 years before Hepburn and Wayne would finally team up (in "Rooster Cogburn"). Geraldine Page, picked by Farrow for her fresh, 'natural' look, carried her stage training and 'attitude' into the filming, which did little to endear her to the cast, and Wayne felt little chemistry between them (although her performance would be a standout debut).
With colorful characterizations, a chaste romance, plenty of action, and little of the obvious '3-D' gimmicks (only noticeable in the titles sequence, and two Indian fight scenes), "Hondo" was a HUGE hit when released, and has endured as one of John Wayne's most popular westerns!