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Hondo Lane, a despatch rider for the cavalry, encounters Angie Lowe, a woman living alone with her young son in the midst of hostile Apache territory. She presumes she is safe because the Apaches, under their chief Vittorio, have always left them alone. Later Lane has a run-in with Angie's reprobate husband and is forced to kill him, not knowing who he is. Vittorio captures Lane and to save his life, Angie tells the Apache chief that Lane is her husband, unaware that Lane has killed her real husband. In order to protect her from a forced marriage with one of the Apache, Lane reluctantly goes along with the lie, though he knows the truth must eventually come out, to Vittorio and to Angie, both. Written by
Jim Beaver <email@example.com>
When Hondo first beds down in the cabin, his pallet is on the floor, with the table between it and the door. After his ensuing conversation with Mrs. Lowe he once more lies down on his pallet, only now it's where the front door used to be. See more »
A hard, tight little film that John Wayne dominates. He was especially good at playing repressed, closed off heroes. In Hondo, he is the title character, a white who was raised by Indians and discriminated against by them because he's not indian, but distrusted by the whites also because of his Indian sympathies.
This was the only John Wayne movie filmed in 3D; it's been shown several times on network TV that way. It's a great film no matter how you watch it. One of the important Wayne films, simply because he's so good in it.
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