6.0/10
294
14 user 2 critic

Here Come the Girls (1953)

Approved | | Comedy, Musical | 22 October 1953 (USA)
A clumsy, full-of-himself chorus boy gets a chance at Broadway stardom when he's a stand in for a leading actor threatened by an infamous killer.

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Cast

Complete credited cast:
...
Stanley Snodgrass
...
Allen Trent
...
Irene Bailey
...
Daisy Crockett
...
Albert Snodgrass
...
Dennis Logan
...
Harry Fraser
...
Jack the Slasher
Zamah Cunningham ...
Mrs. Emily Snodgrass
...
Mr. Hungerford
The Four Step Brothers ...
Dance Specialty
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Storyline

Stanley Snodgrass, perhaps Broadway's clumsiest (if not oldest and most out-of-tune) chorus boy, finds himself unceremoniously ousted from yet another show. Due to an infamous slasher threatening the show's leads, Stanley finds himself brought back as the headliner, unaware that he's being used as bait by police. Even with Detective Logan secretly posing as Stanley's valet, producer Harry Fraser fears Jack the Slasher may not put in an appearance soon enough to prevent Stanley murdering his show. Written by statmanjeff

Plot Summary | Add Synopsis

Plot Keywords:

bait | clumsy | police | actor | killer | See All (91) »

Taglines:

It's Dazzling...Delightful...And DeLovely! See more »

Genres:

Comedy | Musical

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

22 October 1953 (USA)  »

Also Known As:

Champagne for Everybody  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Final film of Millard Mitchell. See more »

Quotes

Stanley Snodgrass: Oh, please, turn off those mice!
See more »

Connections

Featured in Conquest of Space (1955) See more »

Soundtracks

Ali Baba (Be My Baby)
Music by Jay Livingston
Lyrics by Ray Evans
Sung by Rosemary Clooney
Also danced to by The Four Step Brothers
See more »

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User Reviews

 
Hope still at the peak of his career before the descent...
18 January 2008 | by (U.S.A.) – See all my reviews

BOB HOPE's screen career was still at the crest of the wave when he did HERE COME THE GIRLS, but was soon to descend with a bunch of largely forgettable films, beginning with CASANOVA'S BIG NIGHT in 1954. From then on, Hope's films were less enjoyable than during his heyday when he hit his stride in '39's CAT AND THE CANARY and had a string of memorable comedy hits.

Hope is improbably cast as a chorus boy with two left feet (he describes himself as "the world's oldest living chorus boy"), and ROSEMARY CLOONEY is the girl who sticks by him when the going gets rough and he loses his job when fired by stage manager, FRED CLARK.

The zany plot has him chosen by the theater manager to be the bait to attract a killer called The Slasher, who is anxious to get revenge on any man close to ARLENE DAHL when leading man TONY MARTIN is unable to go on. The plot depends heavily on this one note gimmick for laughs and it does manage to get them despite the lightweight script.

Clooney and Martin both get a couple of ballads to sing, none of them the least bit memorable, and the lavish musical numbers are staged with some flair. Hope gets the laughs as things go wrong whenever he sets foot on the stage. ROBERT STRAUSS is the killer on the loose and he does a good job of combining villainy with comic skill.

Strictly second-rate stuff, but pleasantly handled by the agreeable cast. Biggest drawback is that Hope is really woefully too old for the role of the chorus boy, constantly being referred to as "the boy" throughout.


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