Tex is a gunslinger who murders a cowboy and steals his money. Lem is an honest man who wants nothing more than to marry Barbara. When Tex marries Barbara and treats her badly, Lem decides to settle the score.
"Glen or Glenda" tells two stories. One is about Glen, who secretly dresses as a woman but is afraid to tell his fiancée, Barbara. The other is about Alan, a pseudohermaphrodite who undergoes a painful operation to become a woman. Both stories are told by Dr. Alton, who also delivers an earnest lecture on tolerance and understanding. There is a second narrator, called the Scientist, whose commentary on the action contains more philosophical pronouncements than facts. The movie also has flashbacks-within-flashbacks and a strange dream sequence. We meet Insp. Warren, whose investigation of a transvestite's suicide leads him to learn more about men in women's clothes; Johnny, whose wife left him when she discovered what he wears when she's away; Barbara, oblivious to Glen's desire to wear her angora sweater; Satan, who invades Glen's nightmare; and others. Meanwhile, the Scientist will only offer cryptic advice. "Beware!" he warns. "Beware of the big, green dragon that sits on your ... Written by
If you haven't seen any of Ed Wood's other movies, this one is a completely bewildering experience. If you have seen any of Ed Wood's movies, this is still completely bewildering. Wood saw newsreels about Christine Jorgenson (the subject of the first sex-change operation), realized that he had a few things in common with Jorgenson, and made this... um... documentary about it. Lugosi plays, as always, a mad scientist, whose storyline barely ties in with the rest of the movie. Wood himself pseudonymously plays Glen, who enjoys dressing up in angora sweaters. Two policemen investigate Glen's apparent suicide, and... well, the plot sort of lost me between Lugosi's bizarre rants, the stock footage of buffalo herds and the elementary-school-filmstrip-quality acting. It really doesn't make any sense, but it is entertaining by virtue of its profound awfulness.
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