A musician has a nightmare in which he killed a man. When he wakes up he finds evidence that the crime really took place and tries to find the truth with the help of his brother-in-law who ... See full summary »
Edward G. Robinson,
Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.
When a police officer is shot arresting a car thief, Captain Barnaby uses his skills and contacts to track down the culprits and uncovers a bank heist plan in the process. Barnaby has no ... See full summary »
Edward G. Robinson,
As a train speeds through the Arizona night, a man posing as a physician holds up the baggage-car crew and escapes with a $500,000 payroll. The fake doctor, Paul Bruckner, leaves the train ... See full summary »
The ice-cold diva Paula ruthlessly exploits the guys she dates. While blackmailing the married Don with a recent one-night-stand, she has a secret affair with Henry, who works as researcher for the weekly authentic TV show "Crime of the Week", which Don writes for. When Henry fails to help her to a role, she insults him deadly... and ends up dead herself. Now Don desperately tries to hide his traces, but Henry sabotages his efforts and suggests he write the unsolved murder case for next week's show... Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The show is broadcast live from Los Angeles at 8:00 PM--meaning that in the Eastern Time Zone it would be 11:00, outside of prime time (and an hour when almost all stations would be airing the news). See more »
Music by Richard Rodgers
Lyrics by Lorenz Hart
Heard playing on a radio See more »
Set in early television, "3-D" thriller seems like early television
Though much less stylish to look and (and listen to), The Glass Web owes a debt to Michael Curtiz' The Unsuspected of six years earlier. Both movies take as their principal setting a live true-crime show the earlier in the waning days of radio, the latter in the dawning of the television era. And both make use of the technology of their respective mediums to help unravel their plots.
Head writer of the crime show John Forsythe and researcher Edward G. Robinson are at loggerheads; Robinson finds Forsythe callow and slapdash while Forsythe dismisses Robinson, a former police reporter, as an old fussbudget. Both men, however, are carrying on with the same woman, a Los Angeles television actress ( Kathleen Hughes) whose interest in them is entirely mercenary apart from the professional advancement she schemes for, she's always got a hand out for `loans,' which then escalate into blackmail.
When she turns up strangled in her apartment, there's little weeping or gnashing of teeth. Robinson proposes turning the solving of her murder into their season-ending cliffhanger, sure to cinch a skittish sponsor. Both he and Forsythe turn in competing scripts; one of them, however, contains details which could have been known only to the killer....
Set in the world of early television, The Glass Web looks and feels like early television. But upon its release it was part of the early-1950s Hollywood panic over the upstart rival medium, and featured one of the desperate gimmicks calculated to lure viewers back into theaters: 3-D. Fortunately, the projectiles that got early spectators ducking in their seats are confined to a few intense spates and today look rather quaint (even in 3-D, they'd look quaint). Director Jack Arnold went on to make at least two movies that have been enshrined as camp classics: The Incredible Shrinking Man and High School Confidential. The Glass Web is nowhere near so memorable, but it's diverting enough in a don't-expect-much kind of way.
10 of 11 people found this review helpful.
Was this review helpful to you?