Reviews & Ratings for
A Geisha More at IMDbPro »Gion bayashi (original title)

12 out of 14 people found the following review useful:
Superb, subtle Mizoguchi drama, 29 July 2004
Author: Steve O. from Seattle, WA

I liked this better than the more schematic SISTERS OF THE GION. This story of an established geisha who takes on a younger one as a sort of apprentice has engaging characters and a quiet, low-key, intimate realism that's highly effective.

Since it's Mizoguchi, you know the direction, casting, lighting, sets, framing -- all the mise en scene -- are exquisitely sensitive and artistic. The acting is excellent, subtle and believable. Everything is "right", one might even say "perfect" -- an adjective one is tempted to apply to this director's work at its best. Every shot is beautifully, often breath-takingly conceived and executed.

The glimpses this film gives of the rigorous training and daily life of traditional geishas are a big plus that adds greatly to its interest.

Mizoguchi made poetry with a movie camera, and I would call A GEISHA one of his best films.

8 out of 8 people found the following review useful:
The Secret Heart of an Imperfect Film, 16 July 2006

Author: heliotropetwo from United States

There may be an element of atonement in Mizoguchi's films about exploited women. It is most powerful in "Street of Shame" but plays a role in "Gion bayashi" as well. The exploiters are bad indeed, though Mizoguchi gives them humanizing motivations; the exploited, while not too good to be true, are much better than most of the people I know.

What makes this visually beautiful film unforgettable and worthy of repeated viewing is, first, the evolving relationship between Older and Younger Sister, which is sufficiently imitative of life to satisfy the most rigorous champion of Kurosawa's "Lower Depths." As life happens, these two women evolve. It is this evolution which is the secret heart of "Gion Festival Music." Second, importantly, it is the nuanced, understated, but heroic performance of Michiyo Kogure as Miyoharu. Her artistry becomes manifest when her character portrait here is compared to her equally successful role of Taeko in Ozu's "Flavor of Green Tea over Rice," made the year before. The two women could not be more different, and she accomplishes the differences with bare flickers of change across her face and almost imperceptible alterations in body language.

These qualities inspire me to forgive the overly schematic plot and excessively contrasting portraits of the very good and the very bad.

At the end "Gion Festival Music," "A Geisha," or whatever title translation one wishes to use, is not principally about the cruel exploitation of women. The film has a secret. It is a love story. And I love this movie.

A snapshot in time, 13 July 2009

Author: GyatsoLa from Ireland

*** This review may contain spoilers ***

Another fine contemporary movie from Mizoguchi, as so often with his films, focusing on womens lives. This is a partial remake of his earlier 'Sisters of Gion', although the commentary in my Masters of Cinema DVD version suggests that the studio made him tone down the original script as they did not want their new star, Ayako Wakao, to play a 'bad girl' as was originally intended.

The film is set in the mid 1950's, as the traditional Gion Geisha quarter in Kyoto is under pressure from the massive changes in Japan at the time. Old traditions are dying, there is greater pressure for the girls to indulge in what is essentially prostitution. Both customers and young geisha are less interested in the old formalities. A young girl, the daughter of a geisha and a failing businessman begs an older geisha to take her on and train her. The girl has a funny mixture of ambition and dignity, proud of her status (she insists on wearing her full geisha outfit even to a regular bar), while refusing to 'do what is necessary' with a rich patron. The older woman is caught between her desire to protect the girl and the economic necessities of the time. The 'sisterhood' of Gion - the older, dominant Geisha, use their influence and power to put huge pressure on her to call the young girl to heel.

There are some indications that Mizoguchi's heart wasn't entirely in this film. It is shot quite conventionally by his standards and lacks his trademark visual skills and experimentation. But it is beautifully acted by the whole cast and the insight into the lives of the geisha at the time appears very convincing and real (who can say for sure if it is or not?). It isn't quite as good as his later 'Street of Shame', but its still a fine film and well worth watching.

The Masters of Cinema version (region 2) version that I saw sell it as a 'double DVD' with the brilliant Sansho the Bailiff. The whole package is superb, well worth buying.

3 out of 14 people found the following review useful:
a very unsettling film--just as the writers intended, 13 June 2005

Author: planktonrules from Bradenton, Florida

This is the story of a woman who becomes a Geisha. She is never given any choice and she becomes a virtual slave to the system. In essence, its as if the was sold to the owner of the stable of Geishas. Then, after all her training and money spent making her the perfect host and performer, her "owner" expects the girl to pay her back by sleeping with her clients--whether or not she finds them repellent or not. The girl objects and is abused and threatened until she complies. A TOUGH movie to watch, indeed.

This movie is diametrically opposed to the documentaries I have seen about the lives of Geishas. They portray the women as entertainers and say they do NOT sleep with the clients--unless, of course, one agrees to do this on her own. This may be true now, but I know that this was not always the case--particularly with women the Japanese kidnapped from Korea and other parts to be "comfort women"--less "Geishas" with all their training but more glorified prostitutes.

A very unusual and interesting film that will also tug at your heartstrings for this poor girl.

5 out of 21 people found the following review useful:
lacks the strength of Mizoguchi's historical dramas, 2 August 2000

Author: Martin Riexinger from Freiburg, Germany

In fact Mizoguchi's historical dramas like "Saikaku ichidai onna" deserve more attention than this movie.

The fate of the two Geisha' is described too much in a text book manner "let's see the culture clash" in post war Japan. Thus the protagonists lack any psychological depth and they are rather symbols for tendencies than persons. Similar sujets have been dealt with by Ozu with much more artistic skill and of course, humour.

As a "typical" Japanese film , however, it is produced with enormous diligence regarding the mise en scene.

Therefore (7/10)

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