Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, ... See full summary »
It's 1941. Robert E. Lee Prewitt has requested Army transfer and has ended up at Schofield in Hawaii. His new captain, Dana Holmes, has heard of his boxing prowess and is keen to get him to represent the company. However, 'Prew' is adamant that he doesn't box anymore, so Captain Holmes gets his subordinates to make his life a living hell. Meanwhile Sergeant Warden starts seeing the captain's wife, who has a history of seeking external relief from a troubled marriage. Prew's friend Maggio has a few altercations with the sadistic stockade Sergeant 'Fatso' Judson, and Prew begins falling in love with social club employee Lorene. Unbeknownst to anyone, the Japanese bombing of Pearl Harbor looms in the distance. Written by
Ed Sutton <firstname.lastname@example.org>
Although Deborah Kerr was Oscar-nominated in the Best Actress category and Donna Reed was Oscar-nominated in the Best Supporting Actress category, the running times for each of their performances is practically the same. See more »
Inside the dining room, Sgt. Warden puts some rolled up sheets of paper on the table. When Karen picks them up, they are unrolled. See more »
I just hate to see a good guy get it in the gut.
You better get used to it, kid. You'll probably see a lot of it before you die.
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Opening credits prologue: SCHOFIELD BARRACKS HAWAII 1941 See more »
Truly Excellent; Not Exactly the War Movie You Might Expect
How others have rated this movie any less than 10-"stars" eludes me. Combine uniformly terrific acting from all involved, an excellent script, keen editing and directing with beautiful visuals, and you do have the 10-star movie that won so many awards. Every acting job is measured and believable, whether Lancaster's just-let-me-do-my-job introverted bullheadedness to Kerr's not-quite-the-Captain's-slut-wife to Sinatra's multi-dimensional kid-from-home-with-an-irrational-chip-on-his-shoulder to Clift's I'm-smarter'n'subtler-than-James-Dean-defiance to Reed's putting-on-airs-(up)country-girl-at-heart...it's all there. The war scenes are besides the point in this movie. You know there's a war just a'brewing. The real battlefield action happens between the characters in a way so much more important and real than a bunch of bombs dropping to blow up the latest Bruckheimer set. I'll admit the ending strains the movie's own internal logic, but that doesn't take away from its power. There's a war on and not every battlefield is equally as obvious.
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