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From Here to Eternity (1953)

Not Rated  |   |  Drama, Romance, War  |  15 October 1953 (Australia)
7.8
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Ratings: 7.8/10 from 30,729 users  
Reviews: 143 user | 96 critic

In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.

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(screen play), (based upon the novel by)
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Title: From Here to Eternity (1953)

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Won 8 Oscars. Another 14 wins & 7 nominations. See more awards »

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Cast

Complete credited cast:
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...
...
...
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...
Mickey Shaughnessy ...
Harry Bellaver ...
...
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John Dennis ...
Sgt. Ike Galovitch
Merle Travis ...
Sal Anderson
Tim Ryan ...
Sgt. Pete Karelsen
Arthur Keegan ...
Barbara Morrison ...
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Storyline

It's 1941. Robert E. Lee Prewitt has requested Army transfer and has ended up at Schofield in Hawaii. His new captain, Dana Holmes, has heard of his boxing prowess and is keen to get him to represent the company. However, 'Prew' is adamant that he doesn't box anymore, so Captain Holmes gets his subordinates to make his life a living hell. Meanwhile Sergeant Warden starts seeing the captain's wife, who has a history of seeking external relief from a troubled marriage. Prew's friend Maggio has a few altercations with the sadistic stockade Sergeant 'Fatso' Judson, and Prew begins falling in love with social club employee Lorene. Unbeknownst to anyone, the Japanese bombing of Pearl Harbor looms in the distance. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

Pouring out of impassioned pages...brawling their way to greatness on the screen! See more »

Genres:

Drama | Romance | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 October 1953 (Australia)  »

Also Known As:

De aquí a la eternidad  »

Box Office

Budget:

$1,650,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System) (5.0) (L-R)

Color:

(archive footage)|

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Montgomery Clift didn't manage to move like a boxer despite extensive boxing lessons, so he had to be doubled by a real boxer for the long shots in the boxing match. The fight had to be carefully edited so the close-ups and other shots matched satisfactorily. Nonetheless, the use of the double is obvious if you pay attention to the details. See more »

Goofs

An obvious stunt double is used for Galovitch in his fight with Prewitt. Actor John Dennis has a fair-haired crew cut. His double has darker, thicker hair which recedes noticeably at the temples. See more »

Quotes

Sgt. Pete Karelsen: I'm getting sick and tired watching you being a stooge for Holmes.
Sergeant Milton Warden: You won't see it much longer. I'm getting sick and tired of it myself. I'm through, Pete. Any day now. And I mean it.
Sgt. Pete Karelsen: [laughing]
Sergeant Milton Warden: Listen, if Holmes let me, I'd transfer out of here tomorrow. Half a dozen companies in this regiment would grab me, and in grade, too.
Sgt. Pete Karelsen: Oh, sure. I could be Chief of Staff, too. Only I just can't think of leaving my old buddies.
Sergeant Milton Warden: Where're you going, Little Sir Echo?
Sgt. Pete Karelsen: To take my shower, if the stinking ...
[...]
See more »

Connections

Referenced in Family Guy: Road to Rhode Island (2000) See more »

Soundtracks

I Got Hooked At A Hukilau
(uncredited)
Performed by Danny Stewart and His Islanders
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Montgomery Clift shines From Here to Eternity
19 July 2005 | by (United States) – See all my reviews

"From Here to Eternity" contains the best performance delivered by an actor of any gender on celluloid. Montgomery Clift is assertive, funny, tough, sensitive and charismatic in the pivotal role of Robert E. Lee Prewitt, the rebellious loner with the streak of nobility. It is easy to see why James Dean idolized him after seeing his portrayal in the film. It is also a shame modern actors don't mention his name more often when listing their influences. As often noted, he preceded Brando by two years (he first appeared in Red River, released in 1948; Brando bowed in The Men in 1950)and created the arch-type of the 1950's rebel. But due to his intelligence, Clift also informed his characters with a sense of purpose. He didn't simply rebel. For instance, in Eternity, he apologises after an angry outbreak at his girlfriend. Instead of appearing weak, he impressed me all the more for doing so. It makes him appear more mature than the typical rebel. In another instance, when he feels his friend Maggio is being unfairly attacked, he "stares down" the attacker proving he looks out for his friend, another attractive quality. When the non-coms dole out extra punishment to him to force him to box, he refuses to file a complaint but likewise refuses to comply to their demands. Such moments distinguish Clift from other, more typically macho Hollywood leading men of the era and contributed greatly to Eternity's long initial run at the box office and its status as a classic piece of Hollywood cinema. It is time someone set the record straight and restored Montgomery Clift's name to its rightful place in the pantheon of Hollywood's great leading men. For proof, look no further than From Here to Eternity.


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