It's 1941. Robert E. Lee Prewitt has requested Army transfer and has ended up at Schofield in Hawaii. His new captain, Dana Holmes, has heard of his boxing prowess and is keen to get him to represent the company. However, 'Prew' is adamant that he doesn't box anymore, so Captain Holmes gets his subordinates to make his life a living hell. Meanwhile Sergeant Warden starts seeing the captain's wife, who has a history of seeking external relief from a troubled marriage. Prew's friend Maggio has a few altercations with the sadistic stockade Sergeant 'Fatso' Judson, and Prew begins falling in love with social club employee Lorene. Unbeknownst to anyone, the Japanese bombing of Pearl Harbor looms in the distance. Written by
Ed Sutton <firstname.lastname@example.org>
Montgomery Clift's intensity extended to an obsessive drive to have every detail down right. He spent long hours of practice on military drills. He copied Jamie Jones' mannerisms and speech patterns. He insisted on playing his bugle loudly and repeatedly, even though he was dubbed, so that he would accurately appear to be playing it on screen. Fred Zinnemann's wife Renee, said, "He worked so hard at all of this that he was almost worn out by the time they started shooting." See more »
During Sgt. Warden's visit (pretending to look for Capt. Holmes), Karen tells him that she will phone her husband and walks to the dining room. When she stands in the doorway, we see two chairs inside, on the left. In the next shot, they both enter the room and the chairs are not there. See more »
Michael Bay's "Pearl Harbor" is so inferior in every aspect of filmmaking to "From Here to Eternity" that the two films shouldn't even be mentioned in the same sentence together. "From Here to Eternity" boasts an absolutely legendary cast that delivers one of the finest composite performances of all time. Just try comparing Burt Lancaster and Montgomery Clift to Ben Affleck and Josh Hartnett - not even close to a fair fight. Throw in Frank Sinatra in an Oscar winning supporting role and you've got a classic that truly stands the test of time. The tight script portrays real, fleshed-out relationships that are equal parts passionate and tragic. And both Deborah Kerr and Donna Reed are luminous. For some reason this film gets ignored or forgotten when the greatest films of all time are mentioned; all you need to do is watch it again after "Pearl Harbor" and you'll realize what a mistake that is. "From Here to Eternity" easily stands with the greatest films in history.
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