Ruby falls in love with small-time con man Eddie. During a botched blackmail scheme, Eddie accidentally kills the man they were setting up. Eddie takes off and Ruby is sent to a reformatory for two years.
Anything can happen during a weekend at New York's Waldorf-Astoria: a glamorous movie star meets a world-weary war correspondent and mistakes him for a jewel thief; a soldier learns that ... See full summary »
Playwright Stanley Krown has a terrific new play. It's got a great part for reigning Broadway star Beatrice Page, and a young actress named Sally Carver will do just about anything to get the ingénue lead. The problem is that Beatrice doesn't want the great role written for her. She wants the ingénue role, something she could have played wonderfully -- when she was twenty years younger. Written by
Jim Beaver <email@example.com>
Crux of plot hinges on efforts of a Broadway producer and playwright to find ideal actresses to star in a play about a troubled mother/daughter relationship. Yet when the pair attends a summer stock production of the play, large poster outside theatre only includes photos of actress playing daughter and two male co-stars - completely ignoring actress who plays crucial mother role that's been talked about throughout entire film. See more »
This is reminiscent of the theatrics in "All About Eve" but with a sympathetic, light comedic twist to it. There is Ginger Rogers as Beatrice the mature, aging actress who is intent on impressing everyone with the idea that she is 29, no more, no less, and capable of taking on the new female role that's in the works. It doesn't go over too well with a young actress named Sally, played by Pat Crowley, who is willing to charge into every obstacle on her way to 'reaching the top' as an actress. She is very adept at changing her stage name to suit the occasion and meet the needs of the day.
It is great seeing Paul Douglas in top form, here as Beatrice's "ex" yet still devoted to her and her career, but sometimes he does reach the limit of his patience with her. One wonders what other fine, maturer roles he may have had in his career but unfortunately his life was cut short through illness.
William Holden as Stanley the playwright is, as ever, one handsome leading man. He gets entangled emotionally with the two actresses, not sure what to think or which way to turn.
This is an age-old comment of the times that's still prevalent in society, of women's role in life being most appealing when young but having no place when they reach "a certain age." I think these days society is more accepting of the mature, older woman, thanks to woman's lib activity of past decades as well as some outstanding actresses who have influenced opinions and flourished in their senior years, such as Angela Lansbury, Maureen O'Hara, Lauren Bacall, Joan Collins and Kate Hepburn.
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