Thornton Sayre, a respected college professor, is plagued when his old movies are shown on TV and sets out with his daughter to stop it. However, his former co-star is the hostess of the TV show playing his films and she has other plans.
A young female escapee from a reform school joins a pickpocket academy in Paris. She is caught red-handed on her first attempt at stealing by an upper class man. He recruits her to do him a... See full summary »
Sherry Conley, a street tough and cynical woman with an unhappy family background, is taken from prison to a hotel, where the DA tries to convince her to testify against a mobster. Sherry ... See full summary »
Edward G. Robinson,
Professor Henry Barnes decides he's lived long enough and contemplates suicide. His attitude is changed by Peggy Taylor, a chipper young mother-to-be who charms him into renting out his ... See full summary »
Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.
Anything can happen during a weekend at New York's Waldorf-Astoria: a glamorous movie star meets a world-weary war correspondent and mistakes him for a jewel thief; a soldier learns that ... See full summary »
Boots Malone is jockey's agent and a bit of a wheeler-dealer who went from living at the Ritz to living in a room at the stables when his star jockey was killed in an accident. After nearly... See full summary »
Playwright Stanley Krown has a terrific new play. It's got a great part for reigning Broadway star Beatrice Page, and a young actress named Sally Carver will do just about anything to get the ingénue lead. The problem is that Beatrice doesn't want the great role written for her. She wants the ingénue role, something she could have played wonderfully -- when she was twenty years younger. Written by
Jim Beaver <email@example.com>
The framed caricatures that line the walls of the Sardi's set are black and white sketches that include at least one movie star (Charlie Chaplin); in reality, the caricatures at the actual restaurant in New York are in color and, because they only honor celebrities connected with the Broadway stage, would certainly not have included Chaplin. See more »
This film was made in the shadow of ALL ABOUT EVE, and paints a more benign view of that film's central situation. Ginger Rogers plays a leading Broadway star, who retains a close relationship with her former husband (Paul Douglas), and works closely with playwright William Holden (possibly a softer build-up for his play director in Bing Crosby's/Grace Kelly's THE COUNTRY GIRL). Pat Crowley, a younger woman of some acting talent, is trying to break into the circles that cast and produce Broadway plays (she is doing mostly off-Broadway work). The relationship of these four characters are the basis of this comedy.
There are differences between the situation here and the situation in EVE. There was more of an atmosphere of the theater and it's traditions in EVE (because Joseph Mankiewicz writes literate scripts, and was determined to show what goes on behind the stage curtains). But there Bette Davis has gotten trapped into a lonely greatness on stage, and she turns out to be willing to vacate her pedestal if she can have a human life with Gary Merrill. She just does not like the way Anne Baxter is trying to replace her in her parts - Baxter's underhanded methods are despicable. Crowley is not Baxter. She genuinely admires Rogers, and just wants entry (which she may get through Holden). It is just that Rogers is still clinging to her youth - Holden is her last chance for such a cling when they go out together. But even Rogers realizes that she is beyond the point of return. In fact, towards the end of the film the audience and Holden and Crowley discover that Rogers actually gives herself a long summer vacation where she can wear softer, easier clothing and eat as much as she wants to. In the end she accepts that the scepter is passed, but she still has her old husband/friend/and continuous argument partner Douglass to play with.
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