A film musical in which every line is sung. The frame is about workers during a strike. They also prepare and perform a demonstration. Two personal relations develop against this background... See full summary »
Marie wants to escape from her job and also from her lover, Paul, an unemployed drunk. She dreams of going off with Jean, a dockworker. The two men quarrel and fight over Marie on two ... See full summary »
Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.
A "James Bond" type burglar named King Kong (Sam Hui) tries to redeem himself and joins forces with Albert "Baldy" Au (Karl Maka), a bumbling police detective from the states, to try to ... See full summary »
Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano. Maxence is a poet and a painter. He is doing his military... See full summary »
Thornton Sayre, a respected college professor, is plagued when his old movies are shown on TV and sets out with his daughter to stop it. However, his former co-star is the hostess of the TV show playing his films and she has other plans.
Boots Malone is jockey's agent and a bit of a wheeler-dealer who went from living at the Ritz to living in a room at the stables when his star jockey was killed in an accident. After nearly... See full summary »
Playwright Stanley Krown has a terrific new play. It's got a great part for reigning Broadway star Beatrice Page, and a young actress named Sally Carver will do just about anything to get the ingénue lead. The problem is that Beatrice doesn't want the great role written for her. She wants the ingénue role, something she could have played wonderfully -- when she was twenty years younger. Written by
Jim Beaver <firstname.lastname@example.org>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on April 19, 1955 with Ginger Rogers reprising her film role. See more »
Crux of plot hinges on efforts of a Broadway producer and playwright to find ideal actresses to star in a play about a troubled mother/daughter relationship. Yet when the pair attends a summer stock production of the play, large poster outside theatre only includes photos of actress playing daughter and two male co-stars - completely ignoring actress who plays crucial mother role that's been talked about throughout entire film. See more »
This film was made in the shadow of ALL ABOUT EVE, and paints a more benign view of that film's central situation. Ginger Rogers plays a leading Broadway star, who retains a close relationship with her former husband (Paul Douglas), and works closely with playwright William Holden (possibly a softer build-up for his play director in Bing Crosby's/Grace Kelly's THE COUNTRY GIRL). Pat Crowley, a younger woman of some acting talent, is trying to break into the circles that cast and produce Broadway plays (she is doing mostly off-Broadway work). The relationship of these four characters are the basis of this comedy.
There are differences between the situation here and the situation in EVE. There was more of an atmosphere of the theater and it's traditions in EVE (because Joseph Mankiewicz writes literate scripts, and was determined to show what goes on behind the stage curtains). But there Bette Davis has gotten trapped into a lonely greatness on stage, and she turns out to be willing to vacate her pedestal if she can have a human life with Gary Merrill. She just does not like the way Anne Baxter is trying to replace her in her parts - Baxter's underhanded methods are despicable. Crowley is not Baxter. She genuinely admires Rogers, and just wants entry (which she may get through Holden). It is just that Rogers is still clinging to her youth - Holden is her last chance for such a cling when they go out together. But even Rogers realizes that she is beyond the point of return. In fact, towards the end of the film the audience and Holden and Crowley discover that Rogers actually gives herself a long summer vacation where she can wear softer, easier clothing and eat as much as she wants to. In the end she accepts that the scepter is passed, but she still has her old husband/friend/and continuous argument partner Douglass to play with.
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