A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Based on Kubrick's pictorial for Look Magazine (January 18, 1949) entitled "Prizefighter," "Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, ... See full summary »
Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a mono-plane. The priestly ... See full summary »
A ficticious war in an unidentified country provides the setting for this drama. Four soldiers survive the crash-landing of their plane to find themselves in a forest six miles behind enemy lines. The group, led by Lt. Corby, has a plan: They'll make their way to a nearby river, build a raft, and then, under cover of night, float back to friendly territory. Their plans for getting back safely are sidetracked by a young woman who stumbles across them as they hide in the woods, and by the nearby presence of an enemy general who one member of the group is determined to kill. Written by
Eugene Kim <firstname.lastname@example.org>
This was thought to be a lost film, and one researcher, Mark Carducci, had suggested that Kubrick destroyed the negative following the death of Joseph Burstyn, the film's distributor. Bootleg copies abound, however, and there is one (legal) print in all of the Americas. It is located in the Kodak archives in Rochester, New York; the Kubrick estate allows viewing of the film with the provisos that it is screened by individuals (not groups), that the print never leaves the building in which it is housed, and that it cannot be duplicated in whole or in part. See more »
There is war in this forest. Not a war that has been fought, or one that will be, but any war. And the enemies who struggle here do not exist, unless we call them into being. This forest, then, and all that happens now is outside history. Only the unchanging shapes of fear - and doubt - and death - are from our world. These soldiers that you see keep our language and our time, but have no other country but the mind.
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This film, Stanley Kubrick's first feature, has been maligned by its creator and hidden away for many, many years, which is a shame, for in spite of its shortcomings, it is most definitely a Kubrick film. Many of the themes that populate his later work can be found here, as well some of his photographic specialities. Possibly, with his recent passing, the archives that have had to stifle showings of this film, often by request of Mr. K, might now be able to show his many admirers that he knew where he was going right from the start.
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