A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A ficticious war in an unidentified country provides the setting for this drama. Four soldiers survive the crash-landing of their plane to find themselves in a forest six miles behind enemy lines. The group, led by Lt. Corby, has a plan: They'll make their way to a nearby river, build a raft, and then, under cover of night, float back to friendly territory. Their plans for getting back safely are sidetracked by a young woman who stumbles across them as they hide in the woods, and by the nearby presence of an enemy general who one member of the group is determined to kill. Written by
Eugene Kim <firstname.lastname@example.org>
The original camera negative was discovered in the late 1980s in the holdings of a now-defunct film storage facility in Puerto Rico, and was acquired by the Library of Congress in Washington, D.C., in 1993. (How the negative got to Puerto Rico in the first place remains a mystery.) The OCN is being kept at the Library's National Audio-Visual Conservation Center in Culpeper, Virginia. See more »
Once you understand how a mousetrap works, if you're clever enough, you can use it as a springboard.
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I've been dying to see this film for some time now - ever since I first fell in love with Kubrick's movies - but I was also a little hesitant, due to repeated reports that this film was seriously, even fatally flawed. Now that I've finally seen it, I can confirm it: it is quite flawed.
The dialogue, including its attempts at humor, is consistently corny. The music is like a bad imitation of Bernard Herrmann score. The acting is often sub-par. The budget is obviously very low. The editing is often awkward. And so on.
Yet, despite all of this, I found myself getting absorbed in it, and, by the end, I caught myself nodding in overall approval. Despite the films warts and moles, Kubrick manages to create a decent little film. Elements of his later, oft-famed style can be found throughout, especially in the cinematography. Taken for what it is, I think it's an enjoyable movie.
As for the films many flaws, just keep in mind that even the tallest man was born small. I'd recommend this film to any serious Kubrick fan. Watching it, one knows that big things lay ahead.
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