A business tycoon decides to wed a Middle Eastern princess whose customs dictate the pair must live apart for several months before marrying; even more complications settle in when the tycoon's ex-fiancée is assigned to chaperone the pair.
Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a ... See full summary »
After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
Clemson Reade, a business tycoon with marriage on his mind, and Effie, a U.S. diplomat, are a modern couple. Unfortunately there seems to be too much business and not enough pleasure on the part of Effie. When Clemson meets Tarji, a princess trained in all the arts of pleasing men, he decides he wants an old fashioned girl. Princess Tarji's father is king of oil-rich Bukistan. Because of the oil situation and to maintain good political relations during the courtship between Clemson & Tarji, the State Department assigns a diplomat to maintain protocol until the wedding. Effie! Written by
Debbie Dunlap <email@example.com>
Upon arrival to America, as Tarji exits the plane, we see "Star of Bukistan": written across the aircraft in English and Arabic. In the next shot, as she is descending the aircraft's stairs, it changes to "Trans World Airlines" See more »
[recites love poem to Clem]
The night is filled with muted sounds / The air is still, but in the hush / The whispers of a thousand lovers. // You and I together here, to dream a thousand wonders / The night is still, we kiss, / And in my heart a thousand thunders.
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dated movie is a window into post-War, 50s culture
This film is a fascinating look at our culture's post WWII attitude towards women and the Middle East. The movie showcases the big message of get-the-women-back-into-the-kitchen that followed the War. As for our attitude towards Islamic peoples, it IS all about oil as far as our government in this film is concerned. The rulers are fabulously wealthy and exotic, the portrayal of them and their customs betray Hollywood's gross ignorance of the peoples and the religion. The princess' dance (seductive and Martha Grahamish) in the opening scene says it all. The women in the court all wear short sleeves. No one bothered to find out anything about the religion, it would seem. The behavior of the 'Bakistanis' is made up only to create comic moments, no matter how inaccurate, unseemly or unrealistic.
The plot is silly and implausible, but it's fun to watch Grant and Kerr in their first on screen performance.
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