Three sailors on leave (Joe, Al and Davy) head for Paris with one thing on their minds. Joe pursues chanteuse Colette D'Avril who proves to be more than she appears; Davy is pursued by sexy... See full summary »
Pirdy is accident prone. He has been denied insurance from every company in town because he is always getting hit or hurt in some way. On the day that he meets the lovely Ellen of the ... See full summary »
Gordon Miller is rehearsing a musical comedy in the penthouse suite of Gribble's hotel...on credit. The mounting bill is driving Gribble frantic. Chaos increases when playwright Glen ... See full summary »
Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
World War II is over but Captain Willoby and his men must "occupy" remote Midi Island. The men are disgusted at not going home...until they meet the friendly island women. Unfortunately, Willoby has been ordered to prohibit his men from "fraternizing." This task, already frustrating, is made worse by the presence of missionary's niece Diana and the arrival of gorgeous journalist Angela. Meanwhile, the island king has presented Willoby with equally gorgeous Rozouila as "wife"... Written by
Rod Crawford <firstname.lastname@example.org>
Lots of behind the screen talent takes a whack at what seems to be an attempt to make something to compete with the success of Rodgers & Hammerstein's SOUTH PACIFIC. They struggle with some unfortunately odd casting choices to produce a fitfully interesting, silly musical. We have Billy Gilbert and Mitzi Gaynor as Polynesians, William Lundigan and Jane Greer singing songs written by Harold Arlen and Ralph Blaine, and smirking Jack Paar as an army officer.
It's all an attempt to keep soldiers on Rest and Recreation on a delightful Polynesian island from fraternizing with the native girls, and Edmund Goulding fighting with a script by Claude Binyon -- whose writing talents were best expended on Abbott and Costello programmers -- to produce something interesting. The photography is the only part of the movie that can't be faulted: it's typical of the Fox musical style. It looks like it was planned for a Betty Grable musical but whatever her intended role was, it was recast. If you must watch this, see if you can spot Lee Marvin in the ensemble.
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