Shiek Yousseff, poses as a friend of the French while secretly plotting to overthrow them. Apposing Yousseff are the Riffs, whose secret leader, The Red Shadow, is Paul Bonnard, a professor...
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Shiek Yousseff, poses as a friend of the French while secretly plotting to overthrow them. Apposing Yousseff are the Riffs, whose secret leader, The Red Shadow, is Paul Bonnard, a professor who is studying the desert, and whose attacks on the supply trains intended for Yousseff keep the Riff villages in food. Foreign Legion General Birabeau arrives to conduct an investigation, accompanied by his daughter, Margot. Birabeau hires Bonnard to tutor her, and she is attracted to a Legionaire captain, Claud Fontaine. While the general, Bonnard and Fontaine pay a visit to Yousseff, an American newspaper man, Benji Kidd, discovers a secret way in and out of Yousseff's palace, with the aid of Azuri, a dancing girl in love with Bonnard. The latter is forced to resume his role as the Riffs leader, and kidnap Margot until he can convince her of Yousseff's treachery. But Yousseff's men attack the Riff camp and take Margot prisoner. Written by
Les Adams <firstname.lastname@example.org>
The wind-swept sands of North Africa! Screaming Arab terror raids! The Harem Dance of Desire! The embattled Foreign Legion! The sheik's palace stormed! And the glorious music of the new "Desert Song" See more »
The Desert Song and the Cold War: The original refrain for The Riff Song includes the lines: "Ho!/That's the sound that comes to warn you/So!/In the night or early morn, you know/If you're The Red Shadow's foe/The Riffs will strike with a blow/That brings you woe!" In this remake, filmed in the early Fifties at the height of the Cold War and McCarthyism, the "Red Shadow" sounded uncomfortably like the Soviet and Chinese communists, so the lyrics were changed to "If you're El Khobar's foe". When Gordon MacRae re-recorded the songs for the record album featuring Dorothy Kirsten as Margot, the original lyrics were restored. See more »
When the desert messengers are sending the message with their flutes, the fingering doesn't match the tones being played at all. See more »
Released during the Silver Age of the comic book action hero genre with which this movie's plot bears similarities.
Gordon Macrae does look a lot like Superman and Clark Kent and in this film, he has a secret identity as a mild mannered professor as contrasted with his hero persona, El Khobar.
I must admit I was a collector of Batman, Superman, The Flash, Green Lantern and Silent Knight comics when I first saw this movie as a boy in knee pants. But even then, I knew a good song when I heard it. So well into adulthood when this movie was re-released, I made it a point to see it again. I have borrowed the video version twice and I plan to do so again. I simply can't let go of the melodies of The Desert Song and One Alone.
On Gordon MacRae, what can I say? It doesn't seem fair that one so handsome could also be the greatest singer on celluloid and besides, he is funny. Spoiler: Even my little sons who had no clue about Broadway musicals were in stitches when he pulled that stunt with the ethnic musical instrument that sounded like a cross between the bleating of an ass and a sheep.
Kathryn Grayson who strikes me as prim and proper with a seriously classical singing voice gamely plays the role of a flirt. I am sure if she didn't hit it very big in the movies, she would have been the resident soprano of a major opera theatre. She is always a treat to watch and listen to.
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