A group of US Navy weathermen taking measurements in the Gobi desert in World War II are forced to seek the help of Mongol nomads to regain their ship while under attack from the Japanese ... See full summary »
Insurance detective Steve Hastings is sent by his company to investigate the disappearance of a fellow agent. His first lead is the agent's fetching sister, Victoria, whom he trails to ... See full summary »
Jean Simmons (a school teacher) takes a secretarial job in a nightclub. The two club owners quibble about a lot, including her. Unfortunately, she develops an interest for the partner who disapproves of her employment at the club.
A lawyer who is planning to run for District Attorney accidentally kills a gangster who owns the nightclub where the attorney's girlfriend is a singer. Although he manages to cover up his ... See full summary »
Enviromentalist Anne Richards goes to Washington D. C. to fight for getting legislation passed to save the last remaining sanctuary of the almost-extinct California Condor. She enlists the ... See full summary »
Rommel has the British in retreat on his way to the Suez Canal. All that stands in his way is Tobruk, held by a vastly out numbered force of Australian troops. Richard Burton leads these troops on daring raids against Rommel, keeping him off balance as they earn the nickname 'The Desert Rats'. Written by
Derek Picken <email@example.com>
When the British aircraft are attacking German trucks carrying
the prisoners, the planes shown in the distant shot are not the same planes as in the closeup. The planes in the closeup shot have black and white stripes painted on their wings, at the root and parallel to the fuselage. Such stripes were not used for identification until D-Day (they were called "invasion stripes" at the time) and then only in Europe. See more »
Opening credits prologue: 1941 LIBYAN DESERT NORTH AFRICA See more »
Original music by Christina Macpherson (1895)
(Based on the Scottish tune "Craigielee", music by James Barr, with words by Robert Tannahill)
Revised music by Marie Cowan (1903)
Lyrics by A.B. 'Banjo' Paterson (1895)
Played during the opening credits and often in the score See more »
This was the first movies I was ever allowed to stay up and watch on the old Saturday Night At The Movies show on NBC so it has always had a fond place in my heart. Although some might dismiss it as clichéd, it is a tight, well told story that some of today's films might do well to emulate. The realism, ambivalence, and irony of today's war films is definitely missing but one should remember that this was the "good" war. While the other reviewers may criticize its historical accuracy, as someone who grew up hearing war stories from American and Canadian WWI and WWII veterans, it does capture the feeling of a period without going overboard on heroics or far-fetched plot twists.
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