Neale and Pedro fly cargo between Chungking and Calcutta. When their buddy Bill is murdered they investigate. Neale meets Bill's fiancée Virginia and becomes suspicious of a deeper plot while also falling for her charms.
In 1659, jeweler Gabriel Tavernier miscuts a diamond meant to surmount the coronation crown of Louis XIV. He's thrown into prison and his son, Jean, is sent to India, along with the Baron ... See full summary »
John Martin is part of an American spy team dropped into France during World War II to destroy the French railway system. After successfully blowing up a tunnel he runs back to save Ellen ... See full summary »
Needing to fill the position of general manager of his company, and believing that an executive's wife is crucial to her husband's success, auto industry mogul Gifford brings three couples ... See full summary »
Thinking he may have caused the death of his commanding officer Captain Daniels in Tunisia, Rocky visits Daniels' widow. She falls for him, he falls for her, she encourages him to go to ... See full summary »
On Chicago's South Side reporter Ed Ames finds the body of a dead girl. Her address book leads to a host of names of men frightened by her death but claiming never to have known her. Ames comes to know quite a lot, dangerously so.
Salty owes money to Doc Baxter; he and his pal Smitty have one month to pay up. They get a race horse and a disbarred jockey, Johnny Cates, who must fake his identity to race. Johnny and ... See full summary »
Paul Lartal leads a troop of legionnaires into ambush at the hands of Omar Ben Calif. Returning later at the request of Princess Morjana he is led to the hidden city of Madara, currently harrassed by the evil Crito. Lartal must do in the bad guys (which includes participating in a bare chested spear-throwing contest), save the city and comfort the Princess. Written by
Ed Stephan <firstname.lastname@example.org>
Based on a 1927 novel by Georges Arthur Surdez titled 'The Demon Caravan'. Surdez (1900-1949) contributed many "adventure" stories to such publications as 'Collier's', the 'Saturday Evening Post,' and 'Argosy.' He was especially noted for his French Foreign Legion tales. See more »
Another trip to the ex-village sexton/film buff yielded a pleasant evening of movie talk and viewing in this particular case, the former being more rewarding than the latter in view of the fact that the 25-year old print of the obscure Alan Ladd vehicle DESERT LEGION was so washed out as to belie its having been originally shot in "glorious Technicolor"! Indeed, the only color scheme prevalent throughout the screening was a reddish hue that, more than anything else, is a tell-tale sign that a celluloid print is well past its "best before" date. But, as if that was not disheartening enough, the film kept sticking in the projector, making the image jump up and down, requiring our host to make his expert manual interventions a handful of times. For better or worse, the film we were watching was a routine star actioner that even I was unaware of before seeing its worn poster proudly displayed during the latest exhibition of such rare items held regularly for the public by our host. The script requires the viewer to accept diminutive Ladd as a formidable Legionnaire who possesses the only credentials to capture a renegade Arab rebel (played by one of the least likely actors suited for this role, Richard Conte!) that has been preying on their sentries and save the mythical Shangri-La-like community of Medara, buried deep within the desert, from his evil clutches. For support, Ladd only has his old, tale-spinning buddy Akim Tamiroff, while the inevitable love interest is provided by Arlene Dahl with Universal clearly believing that the audience would not have anyone but another statuesque Arabic redhead (a' la Maureen O'Hara) for a leading lady!! Despite the intermittent sprinkling of intriguing ideas Ladd is abducted by the mysterious Dahl and taken to her hidden abode in clear imitation of Pierre Benoit's much-filmed "L'Atlantide"; the two confrontations between Ladd and Conte are both unconventional in nature and setting: in the arena with the two contestants sharing one spear between them and, the climactic one, atop a mountain's rock-face this particular mix, unfortunately, fails to rise to any particularly memorable or even satisfactory level which makes the possibility of a future revisit via superior elements highly improbable!
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