When successful business man Lee Warren suspects his wife is having an affair, he sets out find her lover, kill him, and make it look like suicide. Complications set in, when he finds out ... See full summary »
Mr Ningle has been living a lie for seven years by pretending to still be commuting to his financial services job in the City of London from which he had been sacked. Every day, he journeys... See full summary »
A young bride is set to begin her honeymoon aboard a luxury liner. Her happiness does not last when she finds that her husband has disappeared. Trouble is, no one else ever saw him board the ship with her and his name has mysteriously dropped from the passenger list. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Wow! What a great little noir. Apparently made utilising sets from 'Titanic' and 'Gentlemen Prefer Blondes', films made the same year, this is a great example of fast (three weeks shooting) low budget film making. Not a wasted frame, this spooky, thrilling mystery, looks good all the time and many shots are exceptional. Lots of shadowy, foggy or against the light close-ups and a sensational sequence in the ballroom. All menace and subterfuge as we begin to feel that Jeanne Crain's character is surely going to break down despite the restrained and reassuring Michael Rennie, who doesn't even get a kiss. The film races along and has your attention all the time. Set on an ocean liner we do not get the dark streets and lamplight shadows but Newman certainly makes the most of what he's got; the drone of the foghorn, the swirling fog itself and a slew of fellow travellers Crain is not too sure about. And nor are we! Splendid.
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