Beaurefard Clemment, a New York night club crooner, inherits a broken-down Georgia showboat. He decides to turn it into a nightclub. He falls in love with Sally Jane, the granddaughter of ...
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William A. Seiter
Beaurefard Clemment, a New York night club crooner, inherits a broken-down Georgia showboat. He decides to turn it into a nightclub. He falls in love with Sally Jane, the granddaughter of Thadeus Jackson, arch enemy of Beau's late grandfather. Many, many songs and a parody of "Ten Nights in a Barroom" (a Blake Edwards touch), with music featuring the Bell Sisters. Written by
Les Adams <firstname.lastname@example.org>
Dick Haymes sings an assortment of standards and new songs, inherits a riverboat, courts Audrey Totter and feuds with her grandfather, Cecil Kellaway, in this very pleasant, low-key musical.
It's directed by Richard Quine and scripted by Blake Edwards and Quine; the two of them did very well out of their work and you can see why. Although Mr. Haymes is a very pleasant performer -- he even does a bit of soft-shoe a couple of times -- with a dazzling smile, Billy Daniels blows him away with his simple line readings and lively singing (although cameraman Charles Lawton Jr. favors Mr. Daniels with lively crab-dolly work and no cuts during his numbers). It's good to see Audrey Totter in a good-girl role.
In fact, that's the basics of this movie: every performer in his or her comfort zone and doing fine. Far more than good enough.
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