Texas cattleman Opie Bedloe comes to Maine to visit his son Joe, a college instructor, and his wife Connie in the hopes of persuading Joe to give up his teaching career and come back to ... See full summary »
A young woman reporter blames the Pittsburgh Pirates' losing streak on the obscenely abusive manager. While she attempts to learn more about him for her column, he begins hearing the voice ... See full summary »
In post-Civil War Kentucky, young David Burnie becomes the unexpected heir to the family secret: a map leading to buried treasure on the Florida isle of Matecumbe. The youth, joined by four... See full summary »
Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth... See full summary »
Texas cattleman Opie Bedloe comes to Maine to visit his son Joe, a college instructor, and his wife Connie in the hopes of persuading Joe to give up his teaching career and come back to Texas and take over the ranch. When Opie finds out that Connie, who is expecting a baby, can not afford the steaks she yearns for on Joe's salary, Opie, who believes that pregnant women gotta have meat, arranges for the local butcher, Spangenberg to cut his prices in half (with Opie paying the difference) so that Connie can have the meat she desires. Written by
Les Adams <firstname.lastname@example.org>
Joe's father owns a cattle ranch in West Texas. But when Joe and Connie visit the ranch, you can see arid mountain ridges in the near distance as they drive up. West Texas in fact has a very flat terrain - no such mountains are found there. See more »
This picture had some great stuff going for it, based on a story by Max Shulman and Herman Wouk and a screenplay by Shulman and a load of great character actors as backup. Sadly it fails because of bad casting. This is a vehicle that was made for wisecracking actors like Jack Carson and Eve Arden. With the Shulman one liners coming a mile a minute Van Johnson and Janet Leigh just seem to dodge out of the way rather than play into the witty remarks. The lazy direction by Edward Buzzell doesn't help either. And it's not like there's anything the matter with the performances, just the use of the wrong talent on material better suited to actors with a Powell/Loy characterization. Come to think of it, this was in 53 and Powell and Loy were still under contract to MGM. That might have been a fitting farewell to the Nick and Nora team.
1 of 4 people found this review helpful.
Was this review helpful to you?