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China Venture (1953)

Approved  |   |  Adventure, Drama, War  |  7 September 1953 (USA)
4.8
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Ratings: 4.8/10 from 62 users  
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An American patrol was sent during World War II to the south of China which was occupied by Japanese troops with the order to rescue a prisoner of the Chinese guerilla.

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Title: China Venture (1953)

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Cast

Cast overview:
...
Capt. Matt Reardon
...
Cmdr. Bert Thompson
...
Lt. Ellen Wilkins
Leo Gordon ...
Sgt. Hank Janowicz
...
Patterson
Richard Loo ...
Chang Sung
Dayton Lummis ...
Dr. Masterson
...
Wu King
...
Galuppo
Alvy Moore ...
Carlson
Wong Artarne ...
Ens. Wong
Philip Ahn ...
Adm. Amara
Edit

Storyline

An American patrol was sent during World War II to the south of China which was occupied by Japanese troops with the order to rescue a prisoner of the Chinese guerilla. Written by Volker Boehm

Plot Summary | Add Synopsis

Plot Keywords:

china | world war two | See All (2) »

Taglines:

Washington refuses to confirm these facts but they can't deny them!

Genres:

Adventure | Drama | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

7 September 1953 (USA)  »

Also Known As:

China Bound  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Trivia

Film debut of Jocelyn Brando. See more »

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User Reviews

Don Siegel's War
10 September 2012 | by (New York City) – See all my reviews

Don Siegel directs this movie about a behind-the-lines operation in World War Two China competently but not particularly interestingly, with a air of post-war anomie. An excellent cast, including an improbably present Jocelyn Brando ("Just treat me like a man") is directed for speed. Edmond O'Brien's emoting is so subtle as to be monotonous -- apparently everyone is supposed to be utterly war-weary and only surviving through sheer competence.

This sort of movie was popular in this time, with entries like EIGHT IRON MEN and a couple of movies from Sam Fuller, but Siegel can't seem to do much of interest with it.

Cinematographer Sam Leavitt tries to shoot things interestingly, with tight compositions and a highly mobile camera -- notice the long single take that leads off the flick. The net result is a competent but uninspiring movie that would play as the second movie in a double bill.


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