Melvin Hoover, a budding photographer for Look magazine, accidentally bumps into a young actress named Judy LeRoy in the park. They start to talk and Melvin soon offers to do a photo spread... See full summary »
Joan Howell, a young and pretty maid-for-hire, meets and begins dating wealthy New York City businessman Tom Milford. Embarrassed about bringing him back to her tiny apartment that she ... See full summary »
During World War II, all the studios put out "all-star" vehicles which featured virtually every star on the lot--often playing themselves--in musical numbers and comedy skits, and were ... See full summary »
A reworking of the movie Three Blind Mice (1938) based on the play of the same name, which in turn led to another remake Moon Over Miami (1941). This remake is set during the turn of the ... See full summary »
H. Bruce Humberstone,
Boisterous, fun-loving, and popular Washington D.C. hostess Sally Adams is appointed U.S. Ambassador to the Grand Duchy of Lichtenburg, Europe's smallest country. In Lichtenburg, the Duke and Duchess are negotiating a political marriage for their niece, Princess Maria in exchange for a substantial dowry. However, the country is desperate for funds, and turns to the inexperienced ambassador for a much needed U.S. loan. Sally refuses to talk money, that is, until she meets the ultra charming Gen. Cosmo Constantine. Meanwhile, Sally's press attaché Kenneth Gibson falls head over heels for Princess Maria. Written by
Two Irving Berlin musical satires of Washington D.C. politics were not transferred from Broadway to Hollywood: the Ethel Merman-centered "Washington Square Dance" (although in the movie a few bars are sung by an off-screen chorus, and the melody is played during a party scene); plus a trio of senators (who on Broadway were Pat Harrington Sr., Ralph W. Chambers and Jay Velie) intoning "They Like Ike" (which inspired the memorable catch phrase of the 1952 Eisenhower presidential campaign). See more »
There's been a long wait to revisit the delights of this brassy film recreation of a big Broadway hit, but now we can once again enjoy it, fairly bursting from the screen, with its several lively production numbers, John DeCuir's classy production design, Irene Sharaff's flattering costumes, plus Robert Alton's absolutely first-rate choreography. Check out Vera-Ellen and an ultra-well-rehearsed chorus of dancers in "The Orcarina" number, as well as her amazing dance duets with Donald O'Connor, who smoothly displays his exceptional terpsichorean ability, so well showcased two years earlier in MGM's "Singin' in the Rain." George Sanders's singing is a wonderful surprise, holding his own with leather-lunged Madame Merman, who had triumphed on Broadway with this votive offering to her stardom, so cleverly crafted by Irving Berlin. Alfred Newman's Oscar for his endlessly inventive musical direction was more than well-deserved. For anyone who thinks that M-G-M was the only studio to adequately mount a film musical, this one might convince fans of this genre otherwise. (The DVD, by the way, is a very nice transfer, and boasts a quite informative commentary by "Musical Film Scholar" Miles Kreuger.)
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