An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
Deadwood, Dakota Territory, is largely the abode of men, where Indian scout Calamity Jane is as hard-riding, boastful, and handy with a gun as any; quite an overpowering personality. But the army lieutenant she favors doesn't really appreciate her finer qualities. One of Jane's boasts brings her to Chicago to recruit an actress for the Golden Garter stage. Arrived, the lady in question appears (at first) to be a more feminine rival for the favors of Jane's male friends...including her friendly enemy Wild Bill Hickock. Written by
Rod Crawford <firstname.lastname@example.org>
`Calamity Jane' is a film I love to take from the shelves when I'm feeling blue. It's so exuberant, so joyous, and so colourful that it cannot help but cheer you up!
Doris Day plays the role of her career as the rambunctious `Calam', the wildcat tomboy of Deadwood City. The fun starts when Calamity is sent to the `windy city' of Chicago to find a vaudeville beauty who will perform at the local bar. Instead of the genuine article, Calamity ends up with the star's ambitious maid, Katie, who decides to make her stab at fame in the star's place. Together, the two find fun, love, and a whole lot of catchy tunes.
Sure, the fascinating real-life historical figure Calamity Jane didn't look much like Doris Day - let alone Howard Keel, who is the last person you'd describe as `wild' - and Jane's transformation from independent homesteader to blushing housewife isn't what you'd call P.C., but if you're looking for reality, head to the Martin Scorsese section. This is light-as-a-feather entertainment done very well, and I can't help but love it!
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